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Rai adaptation of the play by G.B. Shaw.
Dame Joan Sutherland considered Norma, the lead character of Bellini’s bel canto melodrama, one of her favourite roles. She performed the brilliant and challenging score for Australian audiences for the first time in this 1978 production at the Sydney Opera House, reuniting with her regular collaborator Margreta Elkins, who plays Adalgisa, as well as Ronald Stevens and Clifford Grant. Set in Ancient Gaul, the opera tells the story of a clash between the Druids and the occupying Romans. In the middle of it all is Norma, the high priestess caught in a dangerous love triangle. This luscious production is directed by Italian director Sandro Sequi and conducted by Richard Bonynge.
Spirited American heiress Isabel Archer travels to Europe, where she navigates a complex web of relationships, ultimately committing to a fateful marriage to the charming but cruel Gilbert Osmond. This leads to profound disappointment and a tragic realization of her own choices.
Australian Opera Chorus and Elizabethan Sydney Orchestra production of Donizetti's opera
It's hard to imagine a video opera collection without this superbly sung MET production of Bellini's I Puritani. Not that it's perfect by any means, but its excellences--most especially Anna Netrebko's electrifying singing and acting of Elvira--banish carping about other aspects of this memorable night at the opera. Netrebko is fragile from the start, her facial expressions and hand movements immediately conveying the girl's vulnerability. She has a mad scene in each act; the first when she realizes her fiancé has disappeared with another woman, the third, in the final act, a brief relapse when her returned fiancé is taken by the army to be executed. But it's in the second act that the real fireworks occur, with a Mad Scene that rivals Donizetti's Lucia for bel canto primacy. Here, Elvira is first heard off-stage, after the chorus has informed us that she's deranged. She enters wearing her wedding gown and begins Qui la voce in a voice as frail as her psyche.
Desdemona in Verdi's Otello was a career role for soprano Renata Tebaldi, from her first operatic performance outside of Italy to her final appearance on the opera stage. Between those landmarks she performed the role nearly 100 times all over the world and made studio audio recordings that became reference recordings for the role. This 1962 production with the Deutsche Oper Berlin and Giuseppe Patane was planned as a media event from the outset and blessedly captures a consummate artist in a signature role at the peak of her gifts.
A pair of star-crossed dancers in New York find themselves at the center of a bitter rivalry between their brothers' underground dance clubs.
A drama set in the American South, where a precocious, troubled girl finds a safe haven in the music and movement of Elvis Presley.
Graced with a velvet voice, 21-year-old Violet Sanford heads to New York to pursue her dream of becoming a songwriter only to find her aspirations sidelined by the accolades and notoriety she receives at her "day" job as a barmaid at Coyote Ugly. The "Coyotes" as they are affectionately called tantalize customers and the media alike with their outrageous antics, making Coyote Ugly the watering hole for guys on the prowl.