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Short documentary film about the afrobrazilian religion Candomblé.
When bandits take the town of Sertânia, Antão gets shot, arrested, and left to die. Bleeding out, Antão's delirious mind begins to recall the events that led up to the incident through a sequence of increasingly unreliable fever dreams.
From the clay used to make tiles or clay clay, an image of Lampião, the king of Cangaço, begins to emerge through the work of ceramicist Manuel Vitalino dos Santos. According to the artist, son of Mestre Vitalino, the most famous clay artisan in the Northeast, it would be preferable to abandon the art rather than having to change his artisanal production method. Tradition and consumption are discussed when the art arrives to be sold at the Caruaru Fair in Pernambuco. The soundtrack is provided by the voice of singer Severino Pinto.
Viramundo shows the saga of the northeastern migrants that arrive in São Paulo, beginning with a train arriving and ending with a train leaving São Paulo in a cycle repeated every day. Viramundo's aim was to question why the military coup d'état in Brazil happened without any popular resistance or revolution or reaction of the society.
In the beginning of the 20th Century, in the Northeast of Brazil, one of the first Brazilian industrialists is persecuted because he refuses to sell his business to a British company.
In the late 1960s, Thomas Farkas imported equipment suitable for direct sound, and released a collection of documentaries called "Brasil Verdade" ("True Brazil"), after the Military Coup d'État took place in Brazil, which happened without any popular resistance or revolution or reaction of the society. The five short films are directly related to this fact and its consequences to the country.