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On one of the October nights at the ball, gymnasium pupils and officers scoff at the love of Kuzma Zakharkin, the “cook's son”, to Lena, the daughter of the manufacturer. Cannon volley interrupts the fun. In the city begins the Moscow armed uprising of workers. At the center of the fate of two families is the capitalist Leontyev and the worker Zakharkin, whose sons became the organizers and participants of this uprising.
Soviet filmmaker Yuri Raisman once more combines political dogma with solid entertainment values in Dream of a Cossack (aka Cavalier of the Golden Star). The title character, played by future director Sergei Bondarchuk (and billed for obscure reasons as Semyon Bondarchuk), is an ex-soldier who returns home to the Kuban region, there to take up life as a farmer. Instead, he galvanizes the local citizenry into participating in a massive construction project, which will result in a new power station and canal. Thus does Raisman offer an prime example of Russian collectivism while making it seem as though it had sprung from individual initiative. Dream of a Cossack is based on a popular novel by S. Babayefsky.
On the evening of May 9, 1945, when Moscow is noisily and cheerfully celebrating the Victory Day, a young girl agronomist Zina Sokolova and a sailor officer Lavrentyev meet in the compartment of the Moscow-Vladivostok train. The sailor takes the lively, direct character of the girl for windiness and frivolity. Sokolova also reacted frowningly and mockingly to the satellite. To get to know each other better, travelers are helped by nuisance: they are behind the train, and the rest of the way they are together, getting to know people and the life of the country along the way.
Irina Kupchenko stars in this psychological drama by the renowned director/writer team of Yuli Raizman and Yevgeny Gabrilovich. In the story, she is the entirely respectable wife of a career diplomat, with a teenaged son. Suddenly one day, she decides to leave her marriage and go live with her lover.
Lovely telegraph operator Masha Stepanova is a sanitary nurse. During a training alarm, she meets a taxi driver Alexei (Alyosha) Solovyov. He reads verses to a girl and invites her to the theater. But at the appointed time, Alyosha doesn't come, and Mashenka finds him, helps to recover. Young people fell in love with each other, but Alexei was too frivolous, and brings the girl a lot of sorrows and insults. Because of Alexei’s hobby for another girl, Masha breaks up with him. But she will be able to convey her faithful and true-hearted feeling through years of separation and the hardships of wartime, and when they meet again at the front of the Finnish War, Solovyov realizes what a gift of fate was meeting him with this girl.
Early Soviet prison camp depiction set to the years of Revolution.
On falling in love with Sergey, Natasha gives up studies at a pedagogical institute and accompanies him to a construction site. In a course of time she realizes that her husband is interested only in his work. She leaves him, graduates from the institute and works as a teacher. But Sergey is fired for authoritative style of work and Natasha realizes that she must be near to him in his hour of need.
Vasily Gubanov, the son of the film “The Communist”’s hero, arrived in Moscow not on call or for a business trip. Instead, he came to raise the issue with government authorities about halting the construction of a chemical plant. Despite being the author of the project, which was in full swing, millions of state funds had been spent, and thousands of people’s lives were tied to its completion.
Svetlana Vasilievna is a young, energetic woman who often changes jobs, accustomed to achieving the goals that she has set for herself in life. Her next desire is to marry a "creative, intelligent" person. After a lengthy search, she chose an elderly, but well-mannered, intelligent official Vladimir Dmitrievich Lobanov. Svetlana believes that with the help of connections and sober calculation, you can achieve everything: well-being, respectability, even personal happiness. She does not notice that the fulfillment of her desires does not at all make the person close to her happy. The payback turns out to be unexpected and terrible.
Four parallel stories: "Ship", "Port", "Pompeia" and "Theater" are connected with the fate of the captain of a training warship Andrei Glebov, who visited a foreign port city.