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Anthology film made as an act of protest against Hungarian government of Viktor Orban.
The internationally acclaimed director and recipient of the Erasmus Award in 2007, Péter Forgács created a documentary exploring the fate of hundred thousands of Hungarian men and women who arrived to the United States between 1890 and 1921. To tell their sagas Forgács weaved this grand epic from the early American cinema, found footage, photographs and interviews. The film reveals the difficult moments of arrival, integration and assimilation, which eventually fed the happiness of the later generations and their fulfillment of the American dream.
Main character of AZ ÖRVÉNY is cameraman György Petö. His private films shot before and during World War II document his family, and particularly his girlfriend and later wife Eva Lengyel. With hindsight, these films, mainly recorded in the southern Hungarian city of Szeged, make up an extremely wry historical document. Petö was a Jew. Slowly but gradually we notice how the anti-Jewish laws and political revolutions in Hungary take the family in a stranglehold. AZ ÖRVÉNY is a rhapsody of found footage. Skillfully edited and complemented with additional footage, it produces an account of an atrocious era and a plea for human dignity.
The Maelstrom makes extraordinary artful use of considerable cache of home movies shot in the Netherlands before and during World War II and dealing with the extended Peereboom family. Information is conveyed through subtitles and instead of voice-over, the soundtrack consists of period sound, usually from radio broadcasts, and brooding, disturbing jazz score by Tibor Szemzõ. What wee see is a Jewish family first living unknowingly in the shadow of the Holocaust and then trying to cope with it still unaware of what it will finally mean. A shot of the film's photographer Max Peereboom, and his family we've come to know, cheerfully sewing and doing general preparation for a trip to a "work camp" when their destination was in reality the nightmare of Auschwitz adds a devastating dimension to our understanding of the Final Solution that nothing else, no Hollywood movie, no documentary, has been able to provide.
"Free Fall" reflects to the times before the Shoah, the darkest chapter of the 20th century Hungary, based on the home movies of the talented musician, photographer and businessman, György Pető who made 8mm films from 1938.
Angelos Papanastassiou, the man behind the camera, a story of a Greek patrician of WW2 times Athens. In the very first days of the Nazi occupation Angelos decided to record and document the Greece motherland's sufferings. Using a clandestine 16-mm film camera risking daily his own, and his families life, filmed, documented the Nazi atrocities in Athens all through the German-Italian occupation. Meanwhile his daughter, Loukia was born and we follow her first steps as the family life images juxtaposed over the tragic chapter of modern Greek history. Angelos Papanastassiou secretly developed, edited and saved the films, which later become one of the principal evidence of the Nazi atrocities at the Nuremberg Trials 1947. The Angelos’ Film composed from a unique film journal of wartime Athens and offers a new insight to Greece’s past, with the music of Tibor Szemzõ.
The private diary of a couple in a ghostly Budapest before, during and after the Second World War, between poetry and historical re-enactment.
Forgacs's Tractatus is composed of seven short video essays that refer to one of Wittgenstein's most influential works, Tractatus Logico Philosophicus, first published in 1921.
Filmmaker Péter Forgács compiles home movies by a family of Catalan industrialists who have documented their lives as their homeland is besieged by labor unrest, the collapse of the monarchy, the rise of anarchism, and ultimately the Spanish Civil War.