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In 1910, Korea suffers the humiliation of being annexed by Japan. Young patriots form an independence group called Bukrogun Jeongseo. General Kim Jwa-jin as well as freedom fighters such as Lee Bum-suk, Na Jung-jo are burning with nationalistic spirit. Japan takes over Manchuria. In order to destroy the freedom fighters, Japan employs the Manchurian bandit, Jang Jak-rim, and starts plotting their destruction. Risking their lives, the freedom fighters engage in a bloody battle at Chungsan-ri under the extraordinary leadership and burning patriotism of General Kim Jwa-jin. Despite being greatly outnumbered, the freedom fighters are triumphant.
Ja-young is a flutist. When her father has a child out of wedlock, her mother regards sex as a sin out of anger towards him. Ja-young grows up under her mother's exceedingly oppressive notions.
"A Journey with Korean Masters" is an omnibus film compiling four shorts created by directors who once dominated Korean cinema: Park Chul-soo, Lee Doo-yong, Lee Jang-ho, and Chung Ji-young. This modest project is the product of collaboration between professional and amateur actors of all ages and the masters. The aim was to promote the city of Seoul and the harmony of old and new. The project began as a promotional event, but its cinematic quality is equal, if not superior, to any Korean films officially invited to BIFF this year. That is by no means simply being polite. This special screening is the perfect opportunity to enjoy the unique characteristics of masters experiencing a cinema renaissance in their twilight years.
Er Woo Dong translates to "entertainer," a rough approximation of the duties of 14th-century Korean courtesan Er Yoon Chang. After a lifetime "in service," Er Yoon Chang retires to a faraway village. Meanwhile, her powerful father, ashamed of his daughter's lifestyle, dispatches an assassin to do her in. Er Yoon Chang is protected by her faithful deaf-mute bodyguard, but only up to a point.
Beginning with the suicide of a film director, this work represents the Korean New Wave Cinema movement that focused on criticizing the Korean society in the 1980s through satire and humor. The journey taken by the characters, who lead low lives at the margins of the society, award them with a sense of liberation, however brief.
Young-ae is a prostitute who obsesses over money after losing her daughter to illness. Her co-workers are jealous of her. When a prostitute named Mrs. Kangwon dies after giving a birth, Young-ae takes the baby under her care and leaves the brothel district. Although she struggles to make ends meet and provide a home for the child, the child is taken away by the authorities because she is single. She decides that her old life is the only ground for living she has and returns to it.
A Christian missionary group is abducted by Islamic rebels. In fear for their lives, the group slowly sees their faith in each other slip away.
Three friends, Deokbae, Chun-sik, and Kil-nam, work each at a suburban Chinese restaurant, a barbershop, and a motel. The three friends are clueless about their future. They just share the drinks and love stories. Kil-nam is in love with Jin-ok working at a hair salon and Chun-sik is after Yu who also works at the barbershop. Naive Duk-bae's mind is torn between Chun-sun who works at a factory and an uptown girl Myung-hi.
A man and a woman fall for one another, but she is haunted by her troubled history with men.
A butterfly flies from the mountain to the city. Sang-Kyu, who works in a company, buys a house in the suburbs and lives with his wife and daughter, Yun-Jeong. But Yun-Jeong becomes a somnambulist because of the illusion of a butterfly flying to the house. Sang-Kyu happens to know Mi-Wu, a singer, who loves Song Cheol-Ho but wanders in her life after his death. On the other hand, Yun-Jeong regains her consciousness with the help of an English psychicist and a nun. After Sang-Kyu has a sex with Mi-Wu, he falls out of the window and loses his consciousness. As she feels affection for Sang-Kyu, Mi-Wu becomes a butterfly in the soul world and leaves him.