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Set at the turn of the year 2000, the series follows a group of friends at the end of their teenage years. Everything becomes even more dramatic when Beta dies, at the age of 17, on the night of their high school graduation.
Follows the transformation in the mother-daughter relationship of Brazilian actresses Angela and Leandra Leal while confined during the COVID-19 pandemic.
They came by bike, on foot, by bus, in trailers... They crossed deserts, crossed the continent, slept on the streets, in hotels and in the favelas. Armed with their cameras, thousands of travelers traveled around Rio de Janeiro without spending much money and experienced the World Cup as a big party. Constructed entirely from images taken by the tourists themselves, the short film shows the Rio de Janeiro they discovered and the adventures of experiencing the other side of the World Cup.
In childhood, Agrado meets João Raul during a radio contest in the countryside of Goiás. Like her, the boy dreams of becoming a singer, and the two decide to perform together a song composed by Agrado. However, unforeseen events separate them and lead to a misunderstanding that keeps them apart for many years. João Raul, now a major country music star, uses his social media platforms to search for Agrado, “the girl from his past,” who, unlike him, is still struggling to establish herself in the music industry.
Brava Gente was a television series aired by TV Globo in Brazil between 2000 and 2003, initially as a special year-end. The program was adapted from stories and national stories, and plays by famous playwrights, screenwriters and signed by a number represented by several actors and actresses. The genres of the stories varied each week with the style of each director or author. Brava Gente in the stories ranged from comedies and dramas. In all 53 episodes were shown, broadcast on Tuesday nights.
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
Those who knew iconic funnyman John Candy best share his story, in their own words, through never-before-seen archival footage, imagery, and interviews.