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Independent filmmakers are given a chance to show and discuss their work on a commercial (ABC-TV) affiliate station.
An ethnographic documentary documenting the ritual warfare cycle, social life, and belief systems of the Dani people of the Baliem Valley in western New Guinea.
Between the fall of Rome and the European voyages of discovery, no event was more significant than the rise of Islam. Within the span of a few centuries, the Islamic empires blossomed, projecting their power from Africa to the East Indies, and from Spain to India. Inspired by the words of a prophet, and led by Caliphs and Sultans, this political and religious expansion has not been equaled in speed, geographic size, and endurance before or since.
Started as a class project in what was likely the first filmmaking course ever taught at Harvard, Marathon documents the running of the 1964 Boston Marathon.
An ethnographic documentary following four Ju/’hoansi (!Kung) men during a multi-day giraffe hunt in the Kalahari Desert, filmed during the Smithsonian–Harvard Peabody expedition of 1952–53.
In the late sixties I picked up my seldom used Arri 35mm camera and set off for the famous tidal flats of Nova Scotia. This fragment is of an elderly farmer who fished a weir using his horse and carriage to go out to it with the ebbing time and home with the incoming tide. I thought I saw a nice structure for a film that even included the element of chase, that old standby of film narrative. Would the carriage get home before being engulfed by the incoming tide, would the fog appear and obscure all points of reference?
The coastal Danakil in Northeastern Ethiopia have found an environmentally suitable way of life netting sharks far out to sea which they export to the south Arabian states.
I went to Ladakh in the vain search for a shaman. What I found was a species of Buddhist healing that involved trance and a variety of magical tricks of the healing trade.
Short film photographed by Robert Gardner
While active in the programming of ABC affiliate Channel 5 in Boston, Gardner was permitted to make a few short one-minute vignettes illustrating the working lives of relatively ordinary people. These vignettes were meant to be used by the TV station as ‘non commercials’ or unexpected looks at ordinary lives.