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Heritage Minutes, also known officially as Historica Minutes: History by the Minute, are a series of sixty-second short films, each illustrating an important moment in Canadian history. They appear frequently on Canadian television and in cinemas before movies and are now also sold on DVD. The Minutes were first introduced on March 31, 1991 as part of a one-off heavily-promoted history quiz show hosted by Rex Murphy. The thirteen original short films were broken up and run between shows on CBC Television and CTV Network. The continued broadcast of the Minutes and the production of new ones was pioneered by Charles Bronfman's CRB Foundation, Canada Post Power Broadcasting, and the National Film Board. They were devised, developed and largely narrated by noted Canadian broadcaster Patrick Watson, while the producer of the series was Robert Guy Scully. In 2009 Historica merged with The Dominion Institute to become The Historica-Dominion Institute. While the foundations have not paid networks to air Minutes, they have made them freely available, and in the early years paid to have them run in cinemas across the country. The Canadian Radio-television and Telecommunications Commission has ruled that Heritage Minutes are an "on-going dramatic series" thus each minute counts as ninety-seconds of a station's Canadian content requirements.
An omnibus project bringing together acclaimed directors from around the world, each contributing a 42-second short inspired by a dream. Produced by 42 Below vodka, the collection blends surreal, poetic, and experimental visions into a mosaic of oneiric cinema.
Tyson Smith, better known as his in-ring name Kenny Omega, took the long and unorthodox road to achieve his dream of pro wrestling stardom. Follow his journey to the top of the wrestling world as he defies not only the odds but people's preconceived ideas of what a professional wrestler can be.
At the edge of the Yangtze River, not far from the Three Gorges Dam, young men and women take up employment on a cruise ship, where they confront rising waters and a radically changing China.
In southwestern China, state athletic coaches scour the countryside to recruit poor, rural teenagers who demonstrate a natural ability to throw a good punch. Moved into boxing training centers, these boys and girls undergo a rigorous regimen that grooms them to be China’s next Olympic heroes but also prepares them for life outside the ring. As these young boxers develop, the allure of turning professional for personal gain and glory competes with the main philosophy behind their training – to represent their country. Interconnected with their story is that of their charismatic coach, Qi Moxiang, who – now in his late thirties and determined to win back lost honor – trains for a significant fight.
The Fruit Hunters explores the little known subculture and history of rare fruit hunters who travel the globe in an obsessive search for the exotic, in this stylish and sometimes erotic documentary.
For more than forty years, British journalist Robert Fisk has reported on some of the most violent conflicts in the world, from Northern Ireland to the Middle East, always with his feet on the ground and a notebook in hand, travelling into landscapes devastated by war, ferreting out the facts and sending reports to the media he works for with the ambition of catching the interest of an audience of millions.
U.S. citizens in more than 25 states are followed as they set out on the morning of the presidential election, throughout the course of the day, until the polls close in the evening and the results are revealed.
In a time when the world needs greater cross-cultural understanding, WUHAN WUHAN is an invaluable depiction of a metropolis joining together to overcome a crisis.
Filmed at the Wing Fong Farm in Ontario, this documentary follows the tilling, planting and harvesting of Asian vegetables destined for Chinese markets and restaurants. On 80 acres of land, Lau King-Fai, her son and a half-dozen migrant Mexican workers care for the plants. For Yeung Kwan, her son, the farm represents personal and financial independence. For his mother, it is an oasis of peace. For the Mexican workers, it provides jobs that help support their children back home.