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Based on the book of Viktor Dragunsky "Deniskin's Stories". Once upon a time there lived in Moscow the 1950's an October school student Deniska Korablyov. Every day he was terribly busy with the most ordinary children's activities: he did not prepare lessons, quarreled and put up with classmates, helped around the house and dabbled. He also planned a real murder, crossed paths with the criminal Fantômas, exposed the adult liars and thieves, participated in the selfless rescue of man...
The fate of the main character, Grisha Gorelov, a young tractor driver who dreams of happiness for the hardworking people of his village, becomes entangled in a complex knot. He is convinced that there is nothing more important than land that is sown on time, which will yield a harvest and feed everyone...
This is the second installment of a three-part series of autobiographical films about the director's life. The first, which won various awards for its maker, was entitled Zamri Oumi Voskresni and was later retitled Zari, Umri, Vokresni ("Freeze-Die-Come to Life"). At the end of that film, set at the conclusion of World War II, the young Valerka was striving hard to overcome the inertia of just getting by, along with his sometime friend Galiya. In this one, he is adjusting to Galiya's death and is back in school and is living with his mother, a prostitute. After a girl at the school is found to have been gang-raped, the headmaster chooses Valerka to be one of the scapegoats, though he had nothing to do with the deed. The punishment seems mild enough, he was simply expelled from school. However, after quarrelling with his mother about the incident, he takes to the road, and discovers a society so bleak, degraded and hopeless that it is a wonder he remained alive.
It focuses on how youngsters in capitalist Russia turn to crime. Either they thrive at their game or they get locked up. In any case they're trapped. The portrayed kids are old men, acting wise and tough while in fact they're victims.
Within the DGSE (General Directorate for External Security), a department called the Office Of Legends (BDL) forms and remote pilot the most important agents of the French intelligence services: Clandestine. Immersion in hostile country, their mission is to identify individuals who may be recruited as sources of information. Operating "under caption", that is to say in a fabricated identity from scratch, they live for many years in a permanent duplicity. Our hero just returned from a clandestine mission six years in Damascus. But contrary to what is required by safety rules, he does not abandon his legend and the identity under which he lived in Syria, thus putting in danger the whole system.
Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
As long as there is cinema, LE CERCLE will be there. It is the only television program of critical debates 100% devoted to cinema. Each week, it offers fiery, joyful and non-condescending jousts on the films on the bill; and invites with "Le questionnaire du CERCLE" directors to come and share their passion for cinema.
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to choose between his wife and his lover, and a married man who turns to a prostitute for advice.
A young Finnish woman escapes an enigmatic love affair in Moscow by boarding a train to the arctic port of Murmansk. Forced to share the long ride and a tiny sleeping car with a larger than life Russian miner, the unexpected encounter leads the occupants of Compartment No. 6 to face major truths about human connection.
A middle-aged man recalls his childhood growing up in and around London during World War II.