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Since its 1988 premiere, this critically acclaimed documentary series has presented hundreds of films that put a human face on contemporary social issues by relating a compelling story in an intimate fashion. "POV" has won virtually every major film and broadcasting award available, including 38 Emmys, 22 Peabody Awards and three Oscars.
A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.
This documentary from Albert and David Maysles follows the bitter rivalry of four door-to-door salesmen working for the Mid-American Bible Company: Paul "The Badger" Brennan, Charles "The Gipper" McDevitt, James "The Rabbit" Baker and Raymond "The Bull" Martos. Times are tough for this hard-living quartet, who spend their days traveling through small-town America, trying their best to peddle gold-leaf Bibles to an apathetic crowd of lower-middle-class housewives and elderly couples.
Filmed during a studio-organized press junket, "Meet Marlon Brando" observes Marlon Brando as he fields a succession of television interviews meant to promote Morituri. Rather than comply, Brando deflects questions with irony, flirtation, and philosophical detours, subtly undermining the promotional ritual itself. Shot in direct-cinema style by Albert Maysles and David Maysles, the film becomes a candid study of celebrity, media performance, and resistance to commodification.
At his Long Island beach house, and on the occasion of the publication of his masterful nonfiction novel In Cold Blood, reporter Karen Dennison interviews celebrated writer Truman Capote, who displays his exuberant personality, makes witty jokes, shares his thoughts on writing, reflects on various aspects of the book and, in a sweet and endearing voice, reads and explains some of its highlights.
This award-winning 1982 documentary includes in-depth interviews with Willem and Elaine de Kooning as well as archival footage of Willem de Kooning, Franz Kline, and Harold Rosenberg in conversation.
The Maysles' third film about the artists sees them trying to get three projects off the ground: wrapping the Pont Neuf, the oldest bridge in Paris; wrapping the Reichstag; and surrounding eleven man-made islands in Florida with pink plastic sheets. As the latter is the only one that gets approval, it gets the bulk of this film.
Second in the series by the Maysles brothers documenting the monuments/sculptures of Christo, whose art projects are landscape-scaled, and more "pop" performance art designed to question how we relate to art in the public sphere, especially when it's as oblique, non-political (at least, that is what he would claim), and neutral as running a fence through a landscape.
Writer-director Charlotte Zwerin performs sleight of hand with this beautifully composed documentary, originally produced for public television's American Masters series. Created nearly four years after Ella Fitzgerald's death, Zwerin's film uses the lush voice and superb repertoire of "the First Lady of Song" to provide continuity while assembling convincing, if composite, narrative quotes gleaned from various interviews. The latter are noteworthy given the singer's lifelong modesty and insistence on privacy. Archival footage of early performances, as well as later television appearances, capture Ella's pilgrimage from Depression-era New York, through her discovery at the Apollo Theater and subsequent emergence as a swing vocalist and on to her long career as a matchless pop and jazz stylist. Tony Bennett is a sympathetic narrator, while added affection and insight are provided through
Inspired to write music after hearing the French song "Parlez-Moi d'Amour" during World War II, film composer Toru Takemitsu enjoyed a rich career working with many of Japanese cinema's greatest directors. Rarely interviewed filmmakers such as Hiroshi Teshigahara (Woman in the Dunes) and Masaki Kobayashi (Kaidan) expound on the varied sonic palettes Takemitsu left upon their works.