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The film chronicles the life and marital problems of a couple, through the vision of his two sons, four and eight years old and how, despite their young age, they understand the marital problems.
In the sixties, just before starting his career as a feature film director and his parallel career of the Anticine, Javier Aguirre had a brief career as a documentary filmmaker, which served him to test and rehearse many procedures that he would put into practice in the avant-garde aspect of his work. The trail belongs to that period, a few years full of mystery, but whose works are emerging demonstrating the portentous gaze of Aguirre. The trace has hardly been seen in the last sixty years, and it is an opportunity to recover this vision between anthropology and the vanguard of one of the hallmarks of this city. The film has been restored by the ECAM Archive in collaboration with Filmoteca Española.
"Flights…One of the most import ports in Spain. People… Antxo, Donibane, San Pedro. Homes with tradition, parties, streets, port workers, women salting fish, mending fishing nets…" Javier Aguirre
short Spanish experimental film
Raquel's not able to have children, so she and her boyfriend manipulate another young woman into bearing his child.
"Tiempo dos is a melancholic and sad movie. Soft gray and poetically evocative. It is made with the heart. It has purity, it denotes clarity and is sharp and concise. The image that most remains me is that of the old-fashioned photographic apparatus protected from the rain by the umbrella" Rafael Alberti
"I consider that Espacio dos and Tiempo dos must be considered as important works . Moreover, I affirm that, together with Tierra sin pan and Cuenca, it is the only truly important thing that has been done in Spain within the documentary genre." Javier Sagastizábal