Looking for movies, shows, games, or books similar to Sea Travels? Check out these recommendations on mosaic.
Mysterious cinematographic events unfold in a very neat little space, like a theatre. A ball gets bigger and bigger and then suddenly disappears: there’s a dog a good head or two taller than a child; a young woman miniscule one second is huge the next… We don’t get it, but just enjoy taking part in a phantasmagorical experience like an audience in the early days of cinema, with filmmakers that have made an illusion out of this art.
This film opens with the sense of juxtaposition and absurdity that are the basis of Magritte's paintings, and succeeds in contributing to the surrealist tradition through subtle and powerful manipulations of the filmed image.
Chase has appropriated the masterful car chase scene from Bullitt . The manipulation of the scene’s images and sounds allows the viewer to discover the classic film scene anew. The reconfigurations expose the artistry of the sequencing of shots and edits and the rhythms of the scene.
CUT appropriates 6 classic black and white Hollywood film clips from the 30's and 40s. The images and the sound are reconfigured through graphic and sequential interventions. The disruptions refocus and enhance our attention to latent aspects of the films and compel us to watch with heightened awareness and new appreciation.
A tribute to, and evocation of women no longer alive. The rituals of their daily lives are honored and memorialized through transformed images of flowers, woods, water and more. (Anita Thacher) LOST/ IN MEMORIAM's non-narrative domestic and natural imagery progresses through the rhythms and emotions of the accompanying piano music by Robert Aldridge. The rituals of women's daily lives are honored and memorialized. «...Anita Thacher's elegant, abstract tribute, LOST/ IN MEMORIAM: stylized images of tulips and waving grasses whose splendid sensuality are an apt elegy for the creative lives of friends loved and lost. Thacher evocatively quotes Virginia Woolf (A Room of One's Own): 'Great poets do not die; they are continuing presences.' Her film is dedicated to Francesca Woodman, Susan Loda, Susan Brockman, Yvonne Vera and Barbara Jarvis.» (Karen Cooper, Film Forum)
Short film by Anita Thacher
“Anita Thacher's film was ignored by critics of avant-garde cinema because its lively deconstruction of pornography did not fit into any of the dominant critical categories of the time. »Lauren Rabinovitz
A computer hacker's goal to discover the reason for human existence continually finds his work interrupted thanks to the Management; this time, they send a teenager and lusty love interest to distract him.
Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.
The teenage girls of Vestalis Academy are meticulously trained in the art of being “clean girls,” practicing the virtues of perfect femininity. But what exactly are they being trained for? Vivien intends to find out.