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The Marriage of Figaro, an adaptation of Beaumarchais' play, depicts a veritable social and romantic battle on the day of Figaro and Susanna's wedding, as Count Almaviva attempts to seduce the young woman despite her impending marriage. Throughout this eventful day, servants and masters clash in a game of intrigue, disguises, letters, and misunderstandings, each trying to thwart the other's plans. Figaro, cunning and determined, refuses to be humiliated, while Susanna and the Countess join forces to foil the Count's intentions. Around them gravitate Cherubino, Basilio, Bartolo, Antonio, and Marcellina, who further complicate the plot by adding jealousies, misunderstandings, and unexpected twists. Little by little, the Count's manipulations are exposed, and the women play a decisive role in the denouement.
In this adaptation of the play by Molière, Monsieur Jourdain, social climber, nouveau rich but naive, dreams of being recognized in high society. He hires masters of music, dance, philosophy. He has gone mad with thoughts of honors, decorations, and power.
Octave has married Hyacinthe during the absence of Argante, his father.
A couple, convinced that extramarital affairs bring marriage to life, are having the time of their lives. But trouble begins when the bride falls in love with another man and abandons her husband.
In the nineteenth century, in St. Petersburg. Poprichtchine, a small official living almost in misery, decides not to go to the office. Coming from a noble family, he can not stand his condition anymore.
Pauline intends to end her days and meticulously prepares her suicide, but she meets Peppo, an Italian immigrant, who will change her mind.
Pascal Canteloup is a proofreader at a newspaper. He is bitter and irritable towards his bosses and the people he works with. He's full of hatred about life. Little by little, he sinks into madness!