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Just released from prison, Léa returns home to the Brasilia favela of Sol Nascente and joins up with her half-sister Chitara, the fearless leader of an all-female gang that steals and refines oil from underground pipes and sells gasoline to a clandestine network of motorcyclists. Living in constant opposition to Jair Bolsonaro’s fiercely authoritarian and militarized government, Chitara’s women claim the streets for themselves as a declaration of radical political resistance on behalf of ex-cons and the oppressed.
Shots fired inside a club frequented by black Brazilians in the outskirts of Brasilia leave two men wounded. A third man arrives from the future in order to investigate the incident and prove that the fault lies in the repressive society.
During the World Cup in Brasilia, we follow Maninho (Willian Jesus Vieira), a former professional soccer player who started working as a street vendor, selling water and national team flags. On the way to his new job, memories awaken a recent memory that is at once playful and melancholic. After all, which soccer player in Brazil has never dreamed of playing in a World Cup?
The struggle of a small group of blacksmiths trapped between keeping a long going strike with claims for better fees and the necessity of getting back to work when there's no money left for basic necessities.
The city of Brasilia hoped to become, from its very architecture, the expression of modern urban conception and an egalitarian society. However, neither the workers hired to pursue this project, nor the constant migratory flow that took place from the beginning, fitted in the government’s plan. In 1971, it began what was known as the “Campaign to Eradicate Invaders”. Together with other locals, the director reflects on the history, the transformations and the future of this place where the hypocritical official jingle “A cidade é uma só!” is no longer heard.
The trajectory of Nelson Prudêncio, the black boy from Lins, who became an athlete only at the age of 20 and became one of the protagonists of the epic final of the triple jump at the Mexico City Olympics in 1968, the biggest that the sport has ever seen.
A young architect embarks on an ambitious real state development project in Brasília, convinced that he could actually help transform people’s lives and build a new form of society. But his utopia begins to fall apart when his dreams get in the way of corporate corruption and personal interests.
A court order obliges the masked persons of the Festa do Divino to leave with an identification number. Not satisfied, a group of them tries to invade the city hall.
The totalitarian government from a dystopian future controls the information flow and people start to mysteriously disappear. The algorithm is capable to investigate citizens digital lives, steal their data and set up warnings to potentially subversive people. Nicole, a 18-year old vet student, has her life investigated by this Algorithm.
Amador is a retired and ostracized gunman. Alone and bitter, he collects newspaper clippings of his old crimes in an album. After several humiliations, he will react with violence to the world’s hostility that surrounds him while also trying to get back to action.