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Tomoko and Naomi have had a lesbian relationship since their high school days. They meet again a few years later, and this film depicts the course of their love. Tomoko's strong obsession with Naomi and her intense sexual desire excite the audience. The beauty of the last scene is a must-see!
Perfect Blue: Yume Nara Samete (パーfectブルー 夢なら醒めて, Pāfekuto Burū: Yume Nara Samete) is a 2002 Japanese psychological thriller film directed by Toshiki Satō and adapted from the novel of the same name by Yoshikazu Takeuchi. The story centers on Ai, a teen pop idol transitioning to a recording career, whose life unravels amid fixation from a obsessive convenience store clerk, leading to themes of distorted self-perception, narcissistic delusions, and violent events.
Atsushi is a journalist specializing in writing about adult film actresses. He meets Hanako, who seems different to other adult film stars and soon a relationship develops. Meanwhile, Hanako’s younger sister, Asuka, arrives to stay and falls in love after a chance meeting at a club.
Shuji, an unemployed young man, has been living a haphazard and lethargic life, cheating on his wife with his girlfriends and constantly asking his best friend for loans. Then one day, Shuji takes a train and arrives at a country town. There, he meets Sachiko, a woman who never smiles, and starts working as a live-in employee at the printing house where she works. Shuji has a lot of emotionless sex with Sachiko.
Sakurako entered the Ginza's club "Tentara," at the help of the top of the shop Kana. Hostesses hate Sakurako's envy in an unusual expansion. Yet, Sakurako is still favored by regular customers and Takaha, and has been on the roads of popular hostesses. In such cases, the Millionaire Morita declared that Sakurako will be a loved one. On the other hand, Kana suddenly disappeared in his form of tournaments, and a prophecy to leave his own store... The long-awaited second curtain of the blockbuster series.
The story of two men, one middle aged one mid twenties, who make friends and exchange cigarettes and stories of their sex lives, unaware they have unwittingly exchanged partners. The story, told in flashbacks, as the two men travel through the night on a motorcycle, is loaded with highly charged eroticism. Sex and violence are juxtaposed against the drabness of the men's everyday lives, effectively blurring the line between what is real and what is fantasy. Founded on the well-known myth of furtive sexual gropers on the rush-hour Tokyo commuter trains, Tandem is a low-key masterpiece of Japanese Pink Cinema.
A melodrama that emotionally depicts a broken couple with sensual scenes. This is the first film by director Toshiki Sato and screenwriter Masahiro Kobayashi, who have produced a number of excellent works. The film painstakingly depicts the heartbreaking endings of a couple who are trapped in the past and gradually falling out of love, and includes a strong scene of sexual passion. Yuko (Satsuki Fuji), who is troubled by her marital relationship, is having an affair with Akiyama (Kikujiro Honda). Fumio (Toru Nakane), who is unable to handle his beloved wife, uses a duplicate key found in an old jacket to sneak into the room where Yuko used to live before their marriage.
Yuji and Akiko are newlyweds. Yuji dreams of being a movie star. He lands the lead role in a Pink Eiga soft-core sex film. The director requires him to have sex with the actress. Akiko goes to her high school reunion and is raped by a drunken guy, and then hooks up with her ex-high school love. A dark and comedic look at contemporary relationships and the pitfalls of married life. The story was written by Locarno International Film Festival, Golden Leopard Prize Winner, Masahiro Kobayashi. (Pink Eiga)
Kiriko is a beautiful woman working in a quiet hot spring town. The owner of the inn, Goro, is attracted to her beauty and asks her out, but she refuses. Meanwhile, Imai, a detective staying at the inn, recognizes Kiriko's face and investigates her past on his own.
Two wives who leave their husbands behind and go on a hot spring trip, and two husbands who play homosexual games because it's not fair for them to be the only ones enjoying it. In contrast to the wives, who warm each other's bodies with hot water and lesbian play, the husbands cool each other's bodies by facing each other naked on a dark table with a bottle of sugar. There is another couple in danger of getting married because their parents disapprove of their relationship, but these two also change their mind, saying that marriage is between them. The story focuses on the liberation and change of consciousness of these three couples, who audaciously kiss on the street to get warm, and rethink their love and freedom.