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Dillan Johansen is a disorganized transit authority supervisor suffering from a serious personal tragedy. Dillan's bravery is put to the test the day a major earthquake hits Los Angeles and traps Dillan in an underground tunnel with a handful of subway riders. Dillan works underground to save the panicked citizens from raging fire, rushing water, and a secret cache of toxic chemicals.
Upon the reopening of the opera house where her mother was murdered, a teen and her friends become the targets of a deranged killer dressed in a clown costume.
A luxury cruise liner is requisitioned by the Greek government in an attempt to give safe passage to national treasures worth millions of pounds. The liner is attacked by an art collector who finds out about the plan. During the hijack the liner sinks to the sea floor and so begins a fight for survival as the remaining air begins to run out.
Tracks: 01 - Pour Some Sugar On Me 02 - Photograph 03 - Love Bites 04 - Let's Get Rocked 05 - Two Step Behind 06 - Animal 07 - Foolin' 08 - Rocket 09 - When Love & Hate Collide 10 - Armageddon It 11 - Have You Ever Needed Someone So Bad 12 - Rock Of Ages 13 - Hysteria 14 - Bringin' On The Heartbreak 15 - Promises 16 - Women 17 - Slang 18 - Work It Out 19 - Now
Filmed at the legendary Ritz in 1991, this concert was one of three rehearsal “club” dates for the tour that would ultimately divide the band, and it took place at the 1,400-person-or-so-capacity Ritz. Rose tells the crowd he doesn’t like showing up to rehearsals (shocker) so this was his warmup, but he nevertheless delivers an impressive, throat-shredding performance throughout, even after injuring a leg mid-gig. He even sounds like he’s having fun. He does the Cool Hand Luke “failure to communicate” monologue himself in “Civil War,” which also features Slash riffing on Hendrix’s “Voodoo Child (Slight Return).”
Chicago cabbie Mitch Lawrence is a man whose dreams are starting to fade. His only shining light is his loving and pregnant wife. When one of his clients, author Lou Webber offers him money to eliminate a drug dealer who is stalking him, Mitch refuses. Days later, Mitch is diagnosed with inoperable stomach cancer. He reconsiders Lou's offer, and for the sake of his wife and baby, eliminates the threat. But after that night, everything changes, Mitch's stomach pains disappear. The Drug dealer suddenly resurfaces in a crowd. Then events conspire to drag Mitch deeper into a game that proves that at the right price any man is for hire.
Gig footage from the U.S.A., Europe, Taiwan, Hawaii, Brazil, Japan, Iceland, Argentina, Guam and the Wayoutisphere. SONGS: 01. Psycho Love (In 3D) / 02. Stagemadness / 03. Slave To The Grind / 04. Skidzairport / 05. Monkey Business / 06. Hangliding / 07. Here I Am / 08. Baz In Hallway / 09. Australia Riot / 10. Big Guns / 11. Another Day / 12. Skidinterview / 13. 18 & Life / 14. Skidzinrio / 15. Psycho Therapy / 16. Baz Rap / 17. Piece of Me / 18. Fanzine Letter / 19. Drum Solo / 20. Amsterdoom / 21. Get The Fuck Out / 2.2 Iceland Bop / 23. Roadgrub / 24. C'mon and Love Me / 25. Donington / 26. Tornado/Mudkicker / 27. Racecars / 28. Skids & Guest - Delivering The Goods / 29. Skidzankiss - Cold Gin / 30. Drunkenbus / 31. Hawaii - Youth Gone Wild / 32. Credits
Saturday Morning: Cartoons' Greatest Hits, the video, is a truly altoonative collection of cartoon classics. Hosted by Drew Barrymore, this ultimate party tape features footage from your favorite cartoons with unrestrained performances by some of today's hottest alternative acts. It's an absolute high-octane nostalgia kick, and best of all, you don't have to get up at dawn to enjoy any of it.
Video compilation of Dokken videos from Breaking the Chains, Tooth & Nail, Under Lock & Key albums. Includes footage shot by the band itself on tour in Europe and America onstage, offstage and backstage.
Originally released as "The $19.98 Home Vid: Cliff 'Em All," Metallica's first video is a tribute to late original bassist Cliff Burton. James Hetfield describes it as "a compilation of bootleg footage shot by sneaky Metallifux, stuff shot for TV that was never used, but we've held onto, home footage, personal fotos and us drunk. But most important, it's really a look back at the 3-1/2 years that Cliff was with us and includes his best bass solos and the home footage and pix that we feel best capture his unique personality and style." 1987.