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A detective searching for the cause of a young man's death uncovers a melodramatic story involving prostitutes and religion.
While under the effects of anasthesia in a dentist's office, a young man and woman fantasize a romantic triangle between themselves and the dentist.
The professors' wife lives as abused mentally by her husband. One day the couple goes climbing with a young man, who works for a pharmaceutical company and often visits them on business. While they scales a cliff holding a rope, her husband under them loses his footing and falls down. When they all are about to fall, she cut the rope, so the husband died in a fall. She stands at the bar, but the court decides the case is an emergency evacuation. So she obtains an acquittal, but murderous intent in her mind must work on her.
A man wanders around the mountains with a bleeding leg, holding a rifle in his hand. Seemingly a fugitive, he runs from as-yet unknown pursuers, but he also seems to be following somebody who has already walked the same path. As he hides in a secluded cave, past memories sweep through his exhausted mind, memories of lifelong cowardice and evasion. And this recollection leads to a reconstruction of early 20th century Korean history. Winner of Best Picture (Nam-a Pictures Co., Ltd.), Best Actor (Ha Myung-joong), Best Art Direction (Kim Yoo-joon), Best Lighting (Son Young-cheol) at the 14th Grand Bell Awards. (source: Jiro Hong, koreanfilm.org)
Two brothers—Chul-ho, an accountant with a toothache and a pregnant wife, and Yong-ho, an unemployed ex-soldier wounded in battle—navigate life in post-war Korea.
After an aggressive man lets his anger get the better of him, his wife takes her own life and he is forced to go on the run. The son he leaves behind grows up to have 4 daughters, but there is rumored to be a curse on his family. As the daughters find their way into relationships the curse seems to be true. Allegations of child murder, infidelity, forced into marriages with raging psychopaths.
Zung comes to Korea to investigate the mysterious death of her father, Seijung, a renowned performer and composer in the Japanese music scene. While Zung pursued a different path in life by studying engineering, she is drawn back to her father's legacy. In her search, she reaches the summit of Hallasan, where her father's body was found, and meets Master Woo, a master of the gayageum, and his daughter, Gasil. Listening to Master Woo's performance, characterized by the phrase "music that is joyful yet not exuberant, sorrowful yet not mournful," she learns that her father had been deeply affected by the music, leading to his tragic passing.
This film concentrates on a group of people who have trouble adjusting to mainstream society. From a woman running away from her previous life, to a man with a terminal disease, to a pop artist misunderstood by his contemporaries, the film looks on with sympathy and compassionate humor on a set of people who, for whatever reason, just don’t fit in.
Bun-rye, the eldest daughter in a poor family, is violated by Yong-pal, who is a married man, and out of desperation she becomes a concubine of Young-cheol, a gambler who is impotent. Kong Jo-shi is in love with Bun-rye, though she still has feelings for Yong-pal. After losing his money, Young-cheol takes out his anger on Bun-rye and throws her out of his house. In retaliation, Jo-shi kills Young-cheol, and Bun-rye is driven to madness.