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Before leaving to settle abroad, Ahmad accepts one last job. He must audition actors for the new National Palestinian Theatre. On the road with interviewer Bissan and her cameraman Loumir, Ahmad goes in search of talent in the numerous refugee camps of Jordan, Syria and Lebanon. Hopefully for the last time, Ahmad experiences the insurmountable difficulties of life in Palestine: harassing searches at check points and borders, barricades, constant tension. He realizes the destiny of all waiting refugees is much the same as his own. He ends up guiding the auditioning actors into dramatizing what best embodies their destiny. But with the chance to catch his plane at risk, Ahmad could see the opportunity for his long-awaited exile slip away.
Haifa, nicknamed after the city of his love and hope, goes around and comes around in a Palestinian refugee camp. Although he is everybody's fool, there are many things that only he knows. He is closely related to the family of Abu Said, a former policeman who gains new hopes from the political developments. Oum Said, his wife, hangs her hope on the imminent release of their eldest son, Said, from jail. She tries to find him a bride to secure things for the future. Their youngest son, Siad, is cynical and rebellious. He refuses to believe things. Sabah, the 12 year old daughter is romancing the future and wants to find out what's in it for her. The different stories are interwoven into a very timely insight into the current Palestinian mind.
After an Israeli raid causes the two brothers, Milad and Samy, to lose everything, they decide to rent out audio equipment for various occasions, in an attempt to gather enough money to emigrate to Canada.
This drama portrays a day in the life of a Palestinian family during a curfew announced by the Israeli army in a Palestinian refugee camp on the Gaza Strip in 1993. From that point on, they must live behind closed shutters, barred from their daily lives and needs.
Rashid Marshawi takes us on a special journey across the historical city of Jaffa, where his father was forced to leave in the 1948 exodus. With his own voice, Marshawi narrates his memories of the city, bringing to life the waves on Jaffa’s shore, the sounds of its streets, and the sweetness of its inhabitants and its spirit. Recovery is a splendid cinematic experience that attempts to cloud the border between time and space as Marshawi takes us on a tour of magnificent photos from 1930 to 1948, allowing his nostalgia to breathe a new life into the static bodies portrayed.
This inspired hybrid of documentary and fiction follows Jabir, who runs a mobile cinema from his old truck throughout the West Bank while his wife works to bring emergency medical care to Palestinians. When Jabir is invited by a spirited schoolteacher to make a screening in the old city of Jerusalem, he becomes obsessed with the idea of this pilgrimage and begins to investigate the possibilities.
When the French authorities closed their borders, landed their planes, confined their citizens to their homes, spreading the police on the streets. I was in Paris. Without any planning, the memory coming from Palestine began to flow and merge with the diaries I live here, and the virus began to awaken other viruses, which made me spontaneously, as a Palestinian citizen, besieged in the most beautiful Parisian neighbourhood (Montmartre), busy documenting aspects of diaries and memories in a period of time that changed the face of the scientist.
The film discusses different ideologies in terms of religion, geography and intellect reflected as well in the current rifts between different parts of the Arab world. A group of individuals strive to find the hidden truths about themselves.
Sami, 12, pursues an elusive carrier pigeon across Palestine, which he assumes has returned to its homeland. What quest is really behind the invisible pigeon?