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Valeh, a member of a leftist organization, is arrested by the SAVAK and sentenced to death. In prison, he reconsiders his relationships with members of his political cell, and begins to doubt the validity of the ideas for which he is condemned. At the same time, his comrades pressure him to make a sacrifice for their cause, and his beloved wife experiences personal problems and economic hardships.
Haji is severely traumatized by the war with Iraq. Back from the front, he's unable to adapt to civilian life. Despite family opposition, his fiancée stands by him as together they challenge both the authority of family and state to lead their own lives.
After the rise of the Taliban in Afghanistan and the restriction of women in public life, a preteen girl is forced to masquerade as a boy in order to find work to support her mother and grandmother.
After an Afghanistan-born woman who lives in Canada receives a letter from her suicidal sister, she takes a perilous journey through Afghanistan to try to find her.
A semi-autobiographical account of an incident in Makhmalbaf's life when, as a 17-year-old, he stabbed a policeman at a protest rally. Two decades later, he tracks down the policeman he injured in an attempt to make amends.
Khorshid, a blind child growing up in Tajikistan, is constantly distracted by music and sounds. This frequently causes him to be late to his job as an instrument tuner even though he runs the risk of being fired at a time when his family is in danger of being evicted from their house.
Understanding "beauty" for 2015... From Beijing, Huang Jianxin wonders if it's nobler to sleep or not to sleep in Insomniac Diary. In London, Mohsen Makhmalbaf's Tenant tells the misadventures of an Iranian boy trying not to lose his bed-sit. With Three Days After My Death, Yim Ho creates a parable: a woman who wants to die must save someone's life before her death wish be granted. Tsai Ming-Liang returns with No No Sleep, where bare-footed Lee Kang-Sheng walks Tokyo streets in the depth of winter.
At the age of 74, many people retire themselves or go and spend the rest of their life in elderly’s house. But Kim Dong-Ho has made the decision to live like a young and energetic man until the end of his life. He gets up early around 4 am every morning. He does his exercise for an hour. Then he checks the news and respond to his emails. After that, he takes the bus to his work. He is currently working in a university of film and media, which he has launched himself two years ago. KIM is the same man whom established the largest Asian Film Festival when he was almost 60 years old. Now that he is 74 years old, he has just decided to make his first film as a director.
In the midst of a mid-life crisis Jan, a 40 year old dancing teacher, decides to instigate a revolution against himself. His first act is to summon each of his four lovers, who are unaware of each other, to join him at the dance studio where we assume he is a tutor. His revelations to the women prompt a discourse about love and the fleeting nature of happiness. But when he comes to the fourth and final woman, he finds that his own philosophy of love is not as easy to apply as he had presumed. He realizes that the more the contemporary world has become sexually oriented the farther it has moved away from love...
The wife of Nasim, an Afghan immigrant in Iran, is gravely ill. He needs money to pay for her care, but his day labor digging wells does not pay enough. A friend connects Nasim to a two-bit promoter who sells tickets to watch Nasim ride a bicycle continuously for a week. The promoter brings in sick and aged spectators, haranguing them to find hope in Nasim's strength. Aided by his son, who feeds him as he rides, Nasim grinds out the days and shivering nights. Local officials believe this may be a plot and Nasim may be a spy; they try to sabotage him as do those who bet he won't finish the week. Will desperation alone get Nasim the money? Is any triumph an illusion?