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In 1979 Cuba, flamboyant gay artist Diego attempts to seduce straitlaced David, an idealistic young communist, and fails dismally. But David conspires to be "friends" with Diego so he can monitor the artist's subversive life for the state. As Diego and David discuss politics, individuality and personal expression in Castro's Cuba, a genuine friendship develops between the two.
A Haitian son returns from fifteen years in Cuba to find his home village afflicted with the double plague of drought and strife. A Cuban production from the director of Memories of Underdevelopment. In Spanish.
In the aftermath of the Bay of Pigs incident, Sergio chooses to stay behind in Cuba while his wife and family escape to neighboring Miami. Alone in a brave new world, Sergio observes the constant threat of foreign invasion while chasing young women all over Havana. He finally meets Elena, a young girl he seeks to mould into the image of his ex-wife, but at what cost to himself?
The unfair distribution of land in Cuba encourages the support of the peasants to the revolution.
Matanzas, Cuba, 1913. Two young people who are in love communicate through letters written by penman. When the young man leaves town, to become a pilot, the girl discovers she is really in love with the one who wrote the letters.
A model Cuban revolutionary tragically dies at work and, as a badge of honor, is buried with his labor card in his suit pocket. When his widow attempts to apply for his pension, the pension office demands the original labor card. Desperate, his nephew embarks on an increasingly chaotic and surreal quest through the Cuban bureaucratic system to secure permission to exhume the body, only to be met with endless forms, contradictory regulations, and apathetic officials.
A theater director and script-writer falls for a female worker from the Havana docks, but his machismo, social and working conflicts, and the Cuban woman's condition interfere with their relationship.
Produced by ICAIC in the wake of the Bay of Pigs invasion, "Muerte al invasor" chronicles the three days of fighting at Playa Girón, portraying the rapid mobilization of Cuban forces and civilians against a CIA-backed exile army.
A bourgeois Cuban family of aristocratic origin locks itself into its mansion when the Cuban Revolution comes to power, waiting for the new regime to be overthrown. As time passes, they regress to older and older systems of political order, from capitalism to feudalism to "primitive savagery."
Susana, a beautiful young girl living in 1990, is happily looking forward to her forthcoming marriage - and has bought an antique mirror to grace her future home. Three weeks before the wedding, the mirror is delivered to her Grandmother's home and taken to Susana's room. Later that day, when looking into the glass, Susana is startled to see the image of a handsome soldier, Nicolas (from 1863), instead of her own reflection. It soon becomes obvious that he can see Susana as clearly as she can see him - and life, for them both, is never quite the same again. Contains three shorts as a trilogy: The Two Way Mirror (El espejo de dos lunas) 1990, 0:29:23 With You from a Distance (Contigo en la distancia) 1991, 0:27:38 Saturday Night Thief (Ladrón de sábado) 1996, 0:24:57