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Piccolo Hotel (aka Small Hotel) uses the titular establishment to weave together a vast tapestry of subplots, a la Grand Hotel. The guests include a domineering mother (Lola Braccini), her petulant daughter (Bianca Doria) and the daughter's gigolo boyfriend (Guido Notari). Also on hand is a worldly vamp (Laura Nucci) who also falls for the boyfriend, and the chronic-gambler son (Andrea Checchi) of the hotel's self-sacrificing landlady (Emma Grammatica). Though the film is set in Budapest, the characters are more Mediterranean than mittel-European. Piccolo Hotel was one of the entries in the Vienna Biennial Film Festival.
In a sea port, where he has landed after a long voyage, a sailor meets a girl. To overcome her reluctance, he gives up on leaving again and works as a barker in a fair booth where she works and takes her with him.
In the absence of the biological mother, too busy pursuing her theatrical career, we see the glorification of the maternal surrogate, a woman who is a paragon of sacrifice and self-abnegation. La Fuggitiva is also a film in which a child actress takes a prominent role. In this sentimental drama, the little girl suffers for and rebels against the loneliness and neglect stemming from the lack of a mother and a loving family setting.
Sicily, early 1900s. An impoverished prince settles into the house of a rich shipowner and becomes his counselor.
The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.