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Based on a montage of mandatory political propaganda for the 1989 presidential election, the film presents a debate on politics in the country through a reflection on the speeches of the main candidates.
The daily grind, saying goodbye to family, and a woman's dreams.
Four friends get together to make a movie. And I watch them. An essay-film about the filming process of Os monstros, by Guto Parente, Luiz and Ricardo Pretti and Pedro Diógenes (Alumbramento Filmes). A letter-film, a diary-film, an essay-film, an archive-film, a garage-film.
Based on a montage of mandatory political propaganda for the 2014 presidential election, the film presents a debate on the political direction of the country through a reflection on the speeches of the main candidates and the role of image in the construction of these speeches.
I love you. I need to love you.
To crack the code of an investigation into a larger-than-life robbery, federal agents need to get creative.
Three friends leading a nonprofit organisation investigate environmental crimes in the Amazon involving a major mining company.
Maria de Déa, Lampião's companion and first woman in the Cangaço, is a fearless young woman who dares to have a voice in a group of outlaws. In a life of escapes and armed disputes, Maria faces a pregnancy and is subdued to the harshest law of the Cangaço: handing over her baby to be raised by someone else. She begins to live between life in the group and the hopeless desire to raise her daughter.
While investigating the murder of two young men, reporter Caco Barcellos discovers a group of murderers in ROTA police squad who act with the approval of military justice.