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In the criminal justice system, sexually-based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories.
Crossing Jordan is an American television crime/drama series that stars Jill Hennessy as Jordan Cavanaugh, M.D., a crime-solving forensic pathologist employed in the Massachusetts Office of the Chief Medical Examiner.
ER explores the inner workings of an urban teaching hospital and the critical issues faced by the dedicated physicians and staff of its overburdened emergency room.
The series follows the ventures of a Missing Persons Unit of the FBI in New York City.
The close-knit Walker family deals with struggles and triumphs.
A neo-noir anthology television series, set in somber Los Angeles right after World War II and before the election of American President John F. Kennedy. The episodes, although filmed in color, mimicked what had been done by Hollywood filmmakers during the film noir era of the 1940s and 1950s in terms of tone, look, and story content.
Riley Parks delicately balances two starkly different lives -- one as a single mom in a conservative town struggling to provide for her family and the other as a savvy and ambitious businesswoman working with a rowdy, sexy and unpredictable group of women.
The adventures of Joanna Beauchamp and her two adult daughters Freya and Ingrid -- both of whom unknowingly are their family's next generation of witches -- who lead seemingly quiet, uneventful modern day lives in Long Island's secluded seaside town of East Haven. When Freya becomes engaged to a young, wealthy newcomer, a series of events forces Joanna to admit to her daughters they are, in fact, powerful and immortal witches.
Rebel Highway is a 1994 revival of American International Pictures, created and produced by Lou Arkoff, the son of Samuel Z. Arkoff, and Debra Hill for the Showtime network. The concept was a ten-week series of 1950s "drive-in classic" B-movies remade "with a '90s edge". Each episode shares a title with a late 1950s-early 1960s-era AIP film. However, they are not remakes; each installment is a different story from that which they are titled. The impetus for the series, according to Arkoff was, 'what it would be like if you made Rebel Without a Cause today. It would be more lurid, sexier, and much more dangerous, and you definitely would have had Natalie Wood's top off'.