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The life of an American woman living in Kyoto, Japan, is upended when her husband and son disappear in a mysterious plane crash. As consolation, she's given Sunny, one of a new class of domestic robots made by her husband's electronics company.
Their parents are dead. They should be sad, but they can't cry. So they form a kick-ass band. This is the story of four 13-year-olds in search of their emotions.
When runaway teen Ju-Ju is embraced by a tribe of misfit youths in Kabukicho, she finds belonging for the first time — until betrayal and despair twist her haven into a prison, and she's left with one way to take back control.
An unpopular host who leads an aimless life suddenly dies due to an unexpected accident and cannot be reincarnated for some reason. While living under one roof with other ghosts in the same position, he starts to reflect on his life and gradually regains his humanity.
Under the impetus of the 75th anniversary of the bamboo top-handle bags, the House presents a contemporary retelling of an ancient Japanese story entitled ‘Taketori Monogatari (The Tale of the Bamboo Cutter).’ Makoto Nagahisa stages the plot of finding oneself, along with true love, in a Tokyo betwixt and between reality and a dream. Dressed in looks from the Gucci Love Parade collection, Hikari Mitsushima, Aoi Yamada, and Eita Nagayama star in the story shedding a new light on the Gucci Bamboo 1947 and Gucci Diana Beloved lines.
This is the story of one man’s life, set in a world where everybody knows the day they will die: their “DEATH DAY”.
The movie director Makoto Nagahisa reinterprets Yukio Mishima's "Patriotism" by following a young couple during the coronavirus pandemic. This is the story of COVID-19, the live house, and the couple's self-determination.
Pisko's father is a crab while her mother is human. Pisko falls in love with her teacher but is heartbroken when he leaves her because she is half-crab. Pisko finally finds love and companionship with her friend Kubokayo.
Kumiko Hoshizaki’s “Akane Sasu Heya” is the story of Maki, a 20-something temp who is sick of her boring job and life in general. The rather bizarre solution she comes up with is to conceive a child behind her boyfriend’s back. Makoto Nagahisa offers the much more impressionistic “Frog.” The story meanders around a bunch of unrelated characters, using experimental techniques like repeated scenes, hallucinatory visuals, blurred shots and disconnected sounds. Lastly, we have “Bouquet Garni,” a much more conventional work from director Junpei Hatano. The plot is centered on a reporter, the relative of a kidnapping victim, and a woman who is obsessed with the case.