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Following the deaths of Mihai's parents, Mihai and Lisbeth Gheorghiu leave their life behind in Romania and move with their children to a remote village in Norway, hoping to rebuild their lives near Lisbeth's family. There, they grow close to their neighbors, the Halbergs, whose warmth gives them hope for a fresh start. But the fragile peace begins to unravel when the Gheorghiu family’s young daughter, Elia, arrives at school covered in bruises.
Two college roommates have 24 hours to make the ultimate choice as they finalize arrangements for a black market abortion.
After his daughter is assaulted and left with an injury that may jeopardize her opportunity to study in the UK, a Romanian doctor decides to do whatever it takes to secure her future.
A few days before Christmas, having quit his job in Germany, Matthias returns to his Transylvanian village. He wishes to involve himself more in the education of his son, Rudi, left for too long in the care of his mother, Ana, and to rid him of the unresolved fears that have gripped him. He’s also eager to see his ex-lover Csilla and preoccupied about his old father, Otto. When a few new workers are hired at the small factory that Csilla manages, the peace of the community is disturbed, underlying fears grip the adults, and frustrations, conflicts and passions erupt through the thin sliver of apparent understanding and calm.
Alina returns to Romania from Germany, hoping to bring Voichita—the only person in the world she loves and was loved by—back with her. But Voichita has found God, and God is the hardest lover of all to best.
Composed of six unconventional vignettes, each one dealing with the late communist period in Romania, a narrative is told through its urban myths from the perspective of ordinary people. The title refers to the alluded "Golden Age" of the last 15 years of Ceaușescu's regime.
In a shabby apartment somewhere in Romania, a man obsessively zap between his TV channels despite the wife's complaints and nagging. But where his wife fails, a little man inside the TV will appear and tell Sotul a thing or two about the true mechanics of television zapping...
Six young filmmakers from Central and East Europe developed shorts about the theme of 'generation'.
One night, two beggars watch a soap opera through the window of a store where a robbery is taking place. Their concern is directed towards the fate of those on the screen.
A follow up to the 2009 sketch comedy referencing urban legends from the Ceausescu regime, the film is expected to expand to accommodate stories from different ex-communist Eastern European countries, including Poland.