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On April 8, 1894, a young princess from the Duchy of Hesse-Darmstadt, to the great joy of the heir to the Russian throne, Nicholas, finally agrees to convert to Orthodoxy and become his wife. So begins the story of the family of the last Russian emperor. Their letters, diary entries, drawings, photographs and documentary films of the pre-revolutionary years create a kind of family chronicle.
The film is based on the concert of "Pop Mechanics" under the direction of Sergey Kuryokhin.
The film is about an amazing woman, rural paramedic Anna Avzayeva, who was born on the day of the formation of the USSR. She went through the front and the Stalinist camps, where she dreamed of a model of heaven on earth in the spirit of N.G. Chernyshevsky's utopias, about which she wrote to the newspaper. Like the heroine of her idol N.G. Chernyshevsky, Vera Pavlovna from the novel "What to Do?", Anna Andreevna has dreams in which she meets V.I. Lenin.
About the General director of the Leningrad association "Electrosila" B.I.Fomin.
By means of documentary films, the authors try to explore the deep essence of Stalinism as a phenomenon that was and is based on the historical, psychological and social traditions of Russian society.
The film is based on three events in February 1987: the release of the film "Repentance", an exhibition-competition in the Manege of projects for the Victory Monument on Poklonnaya Gora and the 150th anniversary of the death of Alexander Pushkin.
About mass forms of youth recreation. The object of the film was one of the evenings of rest in a working dormitory.
The documentary concert consists of performances by Soviet pop performers such as Anne Veski, Alexander Gradsky, Nani Bregvadze, and others.
The film is dedicated to the development of culture in Russia. The musical basis of the film is Alexander Gradsky's suite "Nostalgia", written on poems by Vladimir Nabokov.
The film is a portrait of a milkmaid who became chairwoman of a collective farm. Malinina was regularly featured in film magazines, and a lot was written about her. And it is not surprising — she is a great person by Soviet standards: a laureate of the State Prize, twice Hero of Socialist Labor, "innovator of collective farm production." Traditionally, such people were filmed exclusively in production and in the stands, with a cheerful announcer commenting on their outstanding achievements. Obukhovich showed it quite differently. And not "at the machine", but in a completely different environment.