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Michael and his right-hand man Scorpion, who find themselves embroiled in their father Ko's turf war against rival gangs in Taipei, setting off a conflict between old and new generations of gangsters. The film is the latest installment in the Gatao franchise, following the narrative of a young successor trying to expand his power while navigating the volatile underworld.
Taiwanese gang leader Biao rises in the US but clashes with Hee and the Kowloon Society. Michael returns under Madam ZHANG Qiu-hua’s protection, forcing an uneasy alliance. In Taiwan, Ren escapes and heads to the Golden Triangle for revenge. As all forces converge, Hee strikes with a warlord, igniting a brutal cross-border battle. The fight ends, but the true ruler remains unknown.
Michael and his right-hand man Scorpion, who find themselves embroiled in their father Ko's turf war against rival gangs in Taipei, setting off a conflict between old and new generations of gangsters. The film is the latest installment in the Gatao franchise, following the narrative of a young successor trying to expand his power while navigating the volatile underworld.
In a stormy harbor city, the orphan Dayou grows up learning dark rituals from his master. Years later, he faces eerie hauntings, vengeful ghosts, and reckless youths who stir the spirits. As desires and curses intertwine, no one can tell angel from demon in the shadows.
Dancer SHEU Fang-yi’s career has been told through her modern dance dramas such as Sparrow, Stranger, Wall, and Martha GRAHAM‘s Heretic. Martha GRAHAM once said: “A dancer dies twice — once when they stop dancing, and this first death is the more painful.” At this intersection of her life, SHEU Fang-yi commemorates her glorious past two decades with a funeral, to farewell her past self, and to get ready to move toward her unknown future.
A couple is torn by conflicting emotions. Jing and Mi are two women living in Taiwan who have been lovers for some time; Jing is a singer in a rock band who suffers from severe mood swings and has been suffering from a fractured relationship with her mother, while Mi is the more sedate and level-headed of the couple.
With Taiwan remaining in the grip of martial law in 1982, a group of filmmakers from that country set out to establish a cultural identity through cinema and to share it with the world. This engaging documentary looks at the movement's legacy.
Jia Zhangke travels with painter Liu Xiaodong from China to Thailand as they as they meet everyday workers in the throes of social turmoil. Liu Xiaodong is well-known for his monumental canvases, particularly those inspired by China's Three Gorges Dam project. Jia Zhangke visits Liu on the banks of Fengjie, a city about to be swallowed up by the Yangtze River. The area is in the process of being "de-constructed" by armies of shirtless male workers who form the subject of Liu's paintings. Liu and Jia next travel to Bangkok, where Liu paints Thai sex workers languishing in brothels. The two sets of paintings are united in their subjects' shared sense of malaise in the face of the dehumanizing labor afforded them.
A rock musician looks for his girl-friend who left while pregnant, trying to decide whether to keep the baby.