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A documentary about the hard work of railwaymen transporting coke from Tarnowskie Góry to Szczecin Iron works.
A German woman on a ship returning to Europe notices a face of another woman which brings recollections from the past. She tells her husband that she had been an overseer in Auschwitz during the war, but she has actually saved a woman's life.
A young music student strolls through Warsaw’s Old Town as the city’s everyday sounds—children, traffic, machinery, music, and passing jets—shift from background noise into a spontaneous outdoor concert.
One night in 1950 a passenger train runs over a man, who turns out to be the veteran train engineer Władysław Orzechowski, know for his old ways and stern demeanor. As the inquiry panel tries to deduce why would a man like Orzechowski jump in front of a moving train several of the people involved in the case are interrogated, each telling their own version of the story. Can the panel arrive at the truth in a world where workers unite, inferior coal is a badge of honor, and the old order is suspect?
Short propaganda film. Warsaw's post-war reconstruction as seen through the eyes of the passengers of a red bus.
Originally, Munk intended Eroica to be a triptych with Con bravura being the first part, but he ultimately gave up on this film, deeming it weaker artistically than the two counterparts. Con bravura is about conspiracy conflating the paths of a rather unconventional nun and an intrigued young man – each of them bears secrets and the encounter could incite a flaming romance, though one suffocated by war.Munk set the film in the mountain capital of Zakopane and its vicinity, allowing breathtaking views from a cable car and using his experiences of the Nazi occupation in the area to add gritty reality. The director plays a cameo as a priest with several of his industry friends also making appearances.
A film meant to show what people were told to believe about the wonderful lives that Polish peasants led in post-war Poland.
The final film produced by Warsaw’s Documentary Film Studio is an epic re-enactment of a treacherous mission by the Voluntary Tatra Mountain Rescue Service to aid colleagues stranded behind enemy lines at the close of World War II (several real participants feature in the film). Based on a short story about the rescue by Adam Liberak, Munk’s final “documentary” is also arguably his first major exercise in the craft of narrative filmmaking.
In October 1949, when socialist realism was imposed on Polish artists, a presentation of the achievements of art schools took place in Poznań. The report of the event called ‘shows’ was made by students of the Film School in Łódź.
To convince the prison warden against releasing him, a middle-aged Polish man recounts his life, one he considers to have been characterized by exceptionally bad luck.