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10 years after he left Israel and "played it big-time in America", Benny Shpitz returns for a visit, self-exploring his youth, friends, dreams, beliefs and idol, Daniel Wax, who symbolized the "beautiful Israeli". Shpitz finds out his friends are melancholic, unsatisfied with marriage life, hiding a vast hole in their sole. In a wider context, Israel post 67' will no longer be the society that it was meant to be.
Fifty years after Slow Down by Avraham Heffner won a prize at Venice Film Festival, top alumni of the Jerusalem Sam Spiegel Film School challenge the 1968 legendary black and white
An Israeli drama
In December 1987, the (first) Palestinian Intifada broke out and the Occupied Territories were set alight with a mass wave of demonstrations, protesting the ongoing Israeli occupation – the largest scale, longest-running ones seen in the area since 1967. The IDF was sent in to quash the uprising and before long, TV screens across the country were inundated with footage of burning tyres, stones thrown about, and baton-wielding Israeli soldiers chasing after teens and children. In the face of this new reality that made the question of the Occupied Territories the single most pressing issue of the time, the Jerusalem Film Festival went ahead and commissioned the following project. The result is a classic, Heffner-esque film – an intelligent labyrinth containing the most fundamental of Israeli tropes: The Holocaust; Arabs; us vs. them – all of which find themselves clashing and intermingling, and ultimately rendering the viewers helpless and cringing with awkwardness.
The essence of a quarrel and reconciliation between an elderly couple in Tel Aviv in 1967. Inspired by L'âge de discrétion by Simone de Beauvoir.
Yiddish live theater, a formerly lively theatrical form, is barely sustained by a few aging aficionados and its loyal but aged audience. Laura Adler is a big star of one of these troupes. She is attractive, middle-aged and quite content to spend her days performing obscure theater in her backwater town. One day, however, she learns that she is being considered for a part in a major U.S. film, and, while she is absorbing that news, she has an affair with a young man. Later, when she learns that she has terminal cancer, she decides to spend her remaining days onstage with her theatrical friends and family.
The film intertwines historical events and intimate memories. I observe how architecture represents the transformations of society and those who give form to this architecture. We follow the journey of Munio, my father, born in 1909 in Silesia, Poland, the son of a tenant farmer of a Prussian junker. At the age of 18, Munio goes to Berlin and Dessau to meet Walter Gropius, Kandinsky and Paul Klee at the Bauhaus. In 1933, the Bauhaus was closed by the Nazis, who accused Munio of treason against the German people. Munio was imprisoned, then deported to Basel. He left for Palestine. Upon his arrival in Haifa, he began a career as an architect and adapted European modernist principles to the Middle East.
Yaky Yosha's 1982 Israeli drama Kvish Lelo Motza (aka Dead End Street) observes the trials and travails of a young prostitute named Alice (Anat Atzmon) who is thrust into jail alongside her pimp and hustler boyfriend. In desperation, Alice devises a scheme to save both of them: she will take the steps necessary to free herself, then set about raising the money to save her beau. However, she fails to anticipate the arrival of a documentary crew comprised of husband and wife Yoram (Yehoram Gaon) and Miri (Gila Almagor), who insist on filming her as she undergoes rehabilitation; when Yoram begins to fall hard for Alice, it draws the ire and chagrin of Miri, who begins to seethe with jealousy.
In spite of blood ties to both Haifa's Jewish and Arab populations, Moshe leads a rootless existence. Grown weary of his impatient wife Didi and ambivalent about his needy young mistress Grisha, the only relationships Moshe doesn't complicate are with his devoted parents, Jewish Hanna and Arab Yussuf, and with Jules, Moshe's ne'er-do-well childhood friend. But when Jules' real estate developer brother moves to buy a prized piece of property from the Arab side of the family, Moshe's divided ancestry is put to the test.
A story of an army colonel who is fighting the accusations in committing war crime but his only witness is comatose in the hospital.