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In 1908, Director/Producer Shozo Makino (father of Japanese cinema) directed and produced the first dramatic film in Kyoto. “Honnô-ji Gassen” was shot at Shinnyo-Do Temple. Considered a lost film.
An adventure film with Benshi performers. Sometimes considered the 'first Japanese feature film', it survives today as a compilation of scenes from various different 1910s adaptations totaling nearly three hours in length. The bulk of the content comes from the 1911 adaptation by legendary Japanese filmmaker Makino Shozo.
This film is a film adaptation of one of Shinkokugeki's popular plays, known for its famous line, "Tonight is the last night of Mount Akagi...", starring Sawada Shojiro, the original performer of the title role, and directed by Makino Shozo, the "father of Japanese cinema". It was shot in just four days, including location shooting, in between Shinkokugeki's hectic schedule. Although it is an abbreviated version, it contains almost all of the highlights from Yukitomo Rifu's original play, and conveys the charm of Sawa Masaru, a rare and popular actor, to this day.
Lord Asano Takumi-no-Kami Naganori was charged with receiving a group of envoys from the Imperial Court in Kyoto. He was young and slightly inexperienced, so Lord Kira Kozuke-no suke Yoshinako was given the task of instructing Lord Asano in the customs of the ceremony. On the day of the reception, something went terrible wrong, and Lord Asano attempted to kill Lord Kira. For this, Lord Asano was order to commit seppuku. However, in violation of existing law, Lord Kira was not punished. The ruling Shogun Tokugawa Tsunayoshi eventually confiscated Lord Asano's land and dismissed the samurai that had served him so faithfully, effectively making them all ronin. Two years later, Oishi Kuranosuke Yoshi led a group of samurai loyal to Lord Asano in an attack on Kira's compound. Their aim was to capture and kill him.
A representative film directed by Masahiro Makino, son of Shozo Makino ("the father of Japanese film"). This film lent status to ensemble casts that did not rely on famous stars. The unique setting of the samurai town, exquisite camera work and fast-paced sword fighting scenes all have an original appeal that audiences can related to even today.
In the City of Saints, a woman's prayer gets painted and a failed cinematographer soothes his bitterness by uploading his recordings of film screenings for pay.
A film on the life of Shibukawa Bangorō, the founder of the Shibukawa-ryū school of jūjutsu. To paraphrase Satō Tadao’s blurb on the back cover of the video, this is an important film for three reasons. 1. it is an almost perfectly well preserved copy of one of only a few full-length movies still available of the first superstar in Japanese cinema history, the very famous Onoe Matsunosuke. 2. it uses a method that was common in the silent era, the dyeing/tinting of film to mark given moments of day (for ex., blue for night-time) or given situations (for ex., red for fire) – and even though most films that used this technique have been redeveloped in straight b&w, this one is available in its original form. 3. it is an early SFX (special effects) movie that uses the basic tools of the trade - a great action movie full of swordsmanship and monsters (bakemono).