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Brazil, 1961. In the underground of the Piratini Palace, the governor of Rio Grande do Sul, Leonel Brizola, awaits a bombing by the Brazilian armed forces. The country is on the verge of a civil war, following the resignation of president Jânio Quadros and the movement to keep vice-president João Goulart from taking office. Using the radio transmitter from his improvised bunker, Brizola sets up the Legality movement, to ensure Goulart's right to the presidential chair. Caught in the crossfire, two brothers who are in love with the same woman unite to fight alongside Brizola.
A 15 year-old boy and his friends want to lose their virginity.
A forgotten act of cultural diplomacy: the presentation of Brazilian modernist art at the Royal Academy in London in 1944, at the height of World War II.
Grupo de Bagé was an artistic movement that emerged in Rio Grande do Sul in the 1940s, led by painters and engravers Glênio Bianchetti, Glauco Rodrigues, Carlos Scliar and Danúbio Gonçalves. Linked to Taller de Gráfica Popular do México and the Communist Party, they turned printmaking into a way of popularizing art, with realistic themes and social denunciation. The documentary reveals the appropriation of these artists of the brazilian arts, from the pampas in Rio Grande do Sul to the palaces of Brasília.
London, a disabled young adult working in a fetish house, finds himself caught in an unexpected dilemma when offered the chance to understand his body through a medical exam.