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In a rare instance of literary adaptation, Chytilová was inspired by Franz Kafka’s writings. Mr. K stashes stolen jewelry away at home and seldom allows his wife to wear it. A nosy neighbour, Mr. B, drops in. A cat observes it all.
Hana is a psychologist and a thoroughly independent woman. Her unemployed husband, jealous of his wife, finds a younger girlfriend, but their teenage son Honzik is frustrated; everyone ignores him. Hana's patient Eva, an attractive middle-aged woman, is having problems with her 25-year-old son; she is in love with her son's friend and her son is offended by her behavior. To complete the circle, he falls in love with Hana and Honzik is utterly disgusted by their affair. Another of Hana's patients is Dub, a millionaire who can have pretty much anything, or anyone, he wants. He wants Hana. But he can't have her.
Bohus is indolent and spends his days drinking brandy. One day he finds he has inherited a brickworks, several shops and a five-star hotel. Bohus sets out to tour his new empire, insulting everyone on the way.
After two troubled but powerful men rape a young hitchhiker who happens to be a vet, she drugs them and removes their testicles.
Eleven disparate adolescents, gathered for a skiing camp at an isolated winter resort, find themselves preyed upon and set against one another by their three mysterious instructors.
An experimental retelling of the story of Adam and Eve which then progresses into an allegorical depiction of the loss of innocence.
Philosophical movie, staged at the least philosophical environment imaginable: A closed scenery of a nudist spot, where some hired Czech stuff is making a plain erotic movie for a rich Russian producer. Nothing in this movie is what it seems to be at the first superficial glance.
Eva is a new member of a girl's boarding school and textile factory. She looks up to the free-spirited Jana who struggles against conformity and discipline. Jana's conflicts with the staff and other girls have consequences for all.
A bachelor named Faun with a Don Juan complex, seized with a hypochondriac's fear of the ineluctable approach of death, enters a race against time's passage. Faun's sexual love is imbued with the narcissistic vanity of a self-satisfied bacchant who even towards old age can't manage to forgo his lifelong pose as an irresistable seducer of women. He desperately searches for meaning in superficial, fleeting sex.
An intellectual match between two dramatically different artists, one permanently unsure and frustrated and questioning everything, the other an astonishing storyteller perfectly at peace, unacquainted with introspection and reliant on intuition.