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"Resumption of a play created in 1983. Two shipwrecked people on a makeshift raft in the middle of a social conflict, a mountaineering fight on Mount Paterhorn, improbable friction between two men and a woman in the Yvelines ... The places, the situations change, but each time there is a confrontation. The question is not so much who will win, but to take pleasure in the arguments provided by the opponents. Cunning, bad faith, all blows are allowed in what is primarily a fight of words. "
"To invent a wife when you're single, and you want to seduce a young woman who claims to be attracted only to married men, you still have to lie. To make your new conquest believe that you live in the superb duplex that you keep during the holidays, you must always lie. For Serge, this cascade of lies will lead to new catastrophic fabrications, but also reveal astonishing truths. His professional and sentimental life will be turned upside down, dragging his best friends into its whirlwind. The only certainty of this story, is that WITHOUT LIE, nothing would have happened. "
It starts in one room: a young man in pajamas lies down and sleeps. He agitates, turns, returns. He is recovering, sits on his bed and a cloud of smoke is coming from his skull, he loses an arm, a leg. He enters a fantasy world where all objects come to life. The swallowed pillow passes his door, a reflection of the mirror emancipates, the portrait of the table rebels and sings his dismay. Dishes and utensils are transformed into a fabulous bestiary where dragon and rhinos are fighting. Gags in cascade, anachronistic nose-feet in acrobatics, juggling on the trapeze, dancing lyric songs, James Thiérrée puts the reality upside down and takes us into a surreal and dreamlike symphony played by interpreters to staggering energy.
A staging of Jean-Michel Ribes' play "Musée haut, musée bas" by himself.
Praised at the Théâtre du Rond-Point, dedicated to Molières 2019 by Molière for directing for Mathilda May, and for female revelation with Ariane Mourier, Le Banquet is a singular, strong, surprising and universal show. A wedding where everything goes wrong, a banquet where everything suddenly shatters. Without words but in a universal language, the characters love each other, confront each other, meet again, and get lost in a funny and hectic whirlwind. After the immense success of Open Space and when Mr. X was created with Pierre Richard, Mathilda May continues to make us dream and presents us here with a unique fresco. An exceptional spectacle.
Everyone's favorite fun-loving Granny Aurore goes overboard while partying and has a little accident! She loses her memory and gets put in a nursing home. When her grandkids hear her mention a mysterious man named "Gerry", they put all seven of their heads together to figure out who he is: Aurore's first and only true love who just might turn out to be their long-lost grandfather, too! Hoping to trigger old memories that could snap her out of her amnesia, they join forces to sneak Aurore out of the nursing home and set out into the wilderness on a mission to find the legendary "Grandpa Gerry". But the adventure turns out to be a lot more than they bargained for!
A closeted gay man's attempt to "act straight" for the sake of his job has unexpected consequences.