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Singer, composer, actor and painter, Dorival Caymmi was a multiple artist, but what they may not know is his pioneering work in introducing candomblé into Brazilian popular music. Recreating in a poetic way concepts present in Caymmi's work and life, the documentary revelation of the artist from his own lines, mined in old magazines.
The feature film “Anti-Heróis do Udigrudi Baiano” focuses on experimental works produced in the marginal cinema movement in Bahia, including works such as “Meteorango Kid”, “Caveira My Friend”, “Anjo Negro” and “Superoutro”, among others, which explore the trajectory of disruptive characters, on the margins of society, with irreverent movements guiding the narratives and concepts that this generation proposed.
A panorama of Brazilian popular music from the 60s and 70s through the musical group Novos Baianos. A retrospective of the community lifestyle adopted by its members and the influence inherited from singer João Gilberto.
In the military dictatorship, many political prisoners were tortured and killed by the Brazilian army. In Bahia, those who survived were transferred to the Lemos Brito penitentiary complex.
The film opens with Audry Gutiérrez Alea, Titón's daughter, using a banana as a dildo. The short is part of a double experiment of which only half was filmed. Marzel wrote two scripts: an original and its parody, but only wanted to make the latter. Therefore, we are witnessing a reference without a reference, which involves the most absurd series of dialogues and monologues of which the national cinema has memory.
Our planet was contaminated by many nuclear explosions that left the soil and the air filled with radiation, and now the few survivors of those catastrophic events live under the ground on a shelter controlled by scientists. After an incident inside the shelter, a group of rebellious scientists defy their leadership when they find a good possibility of returning to the surface.
Yesterday, the inhabitants of the Nordeste had to abandon their land for lack of water. Today, floods are driving them out... Deprived of their roots, the people continue to remain faithful to their traditions and beliefs, while progress is imposed by the power of money.
An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.
O AMOR DENTRO DA CÂMERA is an essay documentary that tells the story of Conceição and Orlando Senna, pioneers of Audiovisual, who live a romance of almost 60 years, crossed by the History of cinema and Latin America. Intimate and metalinguistic, portrayed in the warmth of the home and through archival materials, when telling a love story, it takes us through the cinematographic and political networks that have woven across the continent.