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The first of the triumvirate of Mozart’s last three superlative operas – Cosi fan Tutte (1790) and Die Zauberflöte (1791) being the others – Don Giovanni (1787) tells the tale of this legendary womanizer, already a cautionary tale of considerable merit, with the added power and weight of a brilliant musical setting by one of mankind’s greatest musical geniuses and a stunningly effective libretto by Lorenzo da Ponte. This tragicomedy of the highest order cries out for the finest musical forces, voices and staging to be truly overwhelming and meaningful. The cast for this production includes Ildebrando D´Arcangelo and Carmela Remigio. With direction from Riccardo Frizza and one of Italy’s finest stage and set designers on hand in veteran Pier Luigi Pizzi, the course is set for a staggering night at the opera.
La virtù de strali dAmore was the first of ten operas Cavalli wrote with librettist Giovanni Faustini. Set in Cyprus, the plot involves enchanted and pastoral elements, love and its thwarting, the counterpointing of Man and God, sorcery, revelation and ultimate resolution, all accomplished in a brilliant series of scenes. A follower of Monteverdi, Cavalli reveals the influence of the older man but also his own pronounced independence. Fabio Biondi and Europa Galante have become one of the most admired partnerships in the history of baroque music performance.
Ageing misfit Sir Morosus lives alone in an old-style apartment in Charlottenburg in Berlin. He is wealthy, but also lonely and a bit grumpy. Then his nephew Henry moves in with him and his life takes a turn for the better. Director Jan Philipp Gloger homes in on two of the most pressing problems of the day: loneliness and the housing shortage. The Staatskapelle Berlin is conducted by Christian Thielemann.
Premiering the French version in Palermo Grand-opéra in five acts
Verdi's lively opera Luisa Miller – filled with tricks, betrayals, and love stories – is performed at the Opéra Royal de Wallonie-Liège in a staging by Jean-Claude Fall and conducted by Massimo Zanetti.
This is one of the most enjoyable opera produced. The playful production by Paul Curran (Teatro Lirico di Cagliari [Sardinia]) has a wealth of clever touches, and the sets and costumes are lovely, whimsical, imaginative, and wonderfully captured. T The libretto for "Cherubin" (1905), an homage to Beaumarchais and da Ponte, takes up the story of the character Cherubino from Mozart's "Le nozze di Figaro" and shows him suffering his first great disappointment in love, his rejection by the courtesan/dancer Ensoleillad. All ends happily, however, as Cherubin finds his real destiny in Nina, a girl his own age. The story is tightly constructed, the text full of wit and humor in lighter moments and rapturous poetry in the love scenes, and the DVD's subtitles are expertly handled.
Heart Chamber focuses on the elements of falling in love that expose us to our most intense beauty but also to our most intense vulnerabilities and insecurities. It is a grand opera of the smallest physical and psychic changes that push two strangers towards or away from each other as they embark on a transformative path, the conclusion of which one cannot envision. Two naked souls wrapped in their existential loneliness like a second skin have a chance of a true connection which might outweigh the internal isolation. This chance is equally euphoric and dangerous: so much is at stake. While society frames love as the true course to fulfillment, a love connection can have many unexpected consequences. Some live and die surrounded by their families. However, the Russian woman whose husband took her to the forest and cut her arms off in 2018 surely did not envision this at the beginning of their relationship.
Bellini - i Capuleti e i Montecchi at the Gran Teatre del Liceu, Barcelona
Deni Maroon, a musician and dock worker is determined to pull off a music festival against the interests of the local factory owner.