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A telenovela that dramatizes the romances and rivalries between two brothers and two sisters in Mexico between the years 1885 and 1900.
Ramona is a Mexican telenovela, based on the 1884 novel Ramona by Helen Hunt Jackson. It aired in 2000 on Televisa and was written by Lucy Orozco and Humberto Robles. This production featured Kate Del Castillo as Ramona and Eduardo Palomo as Alejandro.
Atrévete a Olvidarme is a Mexican telenovela produced by Roberto Hernández Vázquez for Televisa and originally broadcast on Canal de las Estrellas from August 6 to September 7, 2001. Created by Martha Carrillo, Roberto Hernández Vázquez, and Martha Oláiz, the telenovela stars Jorge Salinas and Adriana Fonseca. Due to low ratings, it was shortened to 25 episodes. The story follows Andrea Rosales, a kind-hearted young woman living in the mining town of Real del Monte. Her life changes when she falls in love with Daniel González, a young journalist searching for his grandfather and the truth about his family's past. Their romance revives a tragic love story from the previous generation, forcing them to confront jealousy, family secrets, revenge, and the belief that history is destined to repeat itself.
Morir dos veces is a Mexican telenovela produced by José Rendón for Televisa and originally broadcast on Canal de las Estrellas from February 26 to May 10, 1996. Created by José Rendón, with adaptation by Ximena Suárez, co-adaptation by Alfonso Espinosa, and literary editing by Martha Carrillo, the telenovela stars Eduardo Palomo and Carina Ricco. The story follows Silvana, a devoted wife whose life is shattered when her husband, Cristóbal, suddenly dies under mysterious circumstances. As the police uncover his connections to organized crime and suspect Silvana of murder, she becomes entangled in a dangerous web of deception, revenge, and betrayal. Meanwhile, the man everyone believed to be dead returns with a new identity, determined to destroy those who betrayed him.
Over more than thirty years, a department of the Condesa in Mexico City, is the setting in which they are carried out ten stories, mixed, form one whose only constant is the rupture. The passage of time and the outside world only guess through the windows and objects that come with the characters. The set is a great solitude, possible in a city of the blind.
Mexican feature film
Maria escapes from prison. On the run, she breaks her ankle. Julian, a truck driver, finds her sitting at the roadside, crying. He picks her up and takes her to a hospital. On her first chance, Maria flees again and goes to a hotel, where she ends up as a prostitute. She frequents bars and saloons, commits some robberies, but neither sex, nor the tequila, can replace love.
A young girl recounts her girlhood and eventual marriage to a general of the Mexican revolution. by one of the most outstanding writers of the new feminist Mexican literature, it is at once a haunting novel of one woman's life and a powerful account of post-revolutionary Mexico from a female perspective.
A car accident and shifting affections test the bond between a married couple.
A World War II prisoner returns home to his childhood sweetheart. However, back home, he discovers that he has to compete to win her love.