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A documentary amplifying the voices of women marginalized by Brazil’s penal system. It follows Érica and Núbia, who met in prison and forged a deep bond that endures beyond the bars. Now on parole, they recount stories of abuse, overcrowding, and the erasure of their identities as women. Lacking legal support, they confront these hardships with courage and humor. The film exposes the invisibility and neglect faced by incarcerated women, challenging sensationalist portrayals and urging empathy. It seeks to humanize their experiences, sparking debate about the cruelty and inefficacy of the penal system, and reclaiming the dignity of lives society too easily forgets.
In 1970, Brazil was in the throes of a military dictatorship that lasted 20 years. Persecutions, arrests, killings, kidnappings. The film Seventy rejoins 18 characters of this story, forty years later. The film mixes the excitement of revisiting the past with a vision, sometimes even good humored of everything they lived. Many years afterwards they relive their experience of pain, violence and survival, of rebuilding their own story and continuing to believe in the possibility of improving the world.
The life of writer, journalist, and TV presenter Edna Savaget, who began her career as a police reporter at Rádio Nacional in the late 1940s and hosted television programs between the 1950s and 1980s.
In 2018, Brazil’s 1988 Constitution turned thirty. Known as the Citizen Constitution, it was a landmark in the history of Brazil, the outcome of across-the-board engagement of society in its preparation. In Congress, the parliamentarians best known for their involvement in this initiative were names that are still familiar today in Brazil’s political history: Ulysses Guimarães, Teotônio Vilela, Tancredo Neves and Nelson Carneiro.
The film portrays the power of the collective that transforms people marked by the barriers imposed by HIV and follows six HIV-positive characters in different social contexts.
Follows the story of Opinião, a theatre group created in 1964 during the early Brazilian dictatorship period to oppose the government through artistic performances. Considered the first left-wing response to the dictatorship, the group gathered now famous Brazilian artists such as Nara Leão, Maria Bethânia, João do Vale and Millôr Fernandes.
Callado said he had to leave Brazil to get to know Brazil. His six-year trip to England and France during World War II sparked a "hunger for Brazil." As a journalist, he traveled to the "geographic center" of his Brazilian identity. As a writer, he reached the depths of his passion for a more just, less prejudiced, freer, and more democratic country.