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Assunta and Michele are in love, but others come between them and jealousy arises. Assunta Spina stands out as an early landmark of naturalistic acting and a blueprint for the Italian Neorealist films to come.
La Signora delle Camelie chronicles the tragic love story of courtesan Marguerite Gautier and provincial bourgeois Armand Duval. Armand’s father disapproves of the relationship and convinces Marguerite to leave Armand, making him believe that she has left him for another man.
An Italian melodrama. Only the final reel survives.
Diana is assigned to find out the details of the enemy's war tactics. Together with her partner in crime, Robertson, she manages to get in touch with Captain Argo and retrieves secret information. All is proceeding according to plan until Diana slowly gets torn by on the one hand her duty as a spy, and on the other her passionate feelings for Captain Argo.
The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.
Based on Oscar Wilde's version of the story, what is noteworthy is the sheer luxury of the production, an attempt to capture the wild and weird Aubrey Beardsley illustrations that transfigure the work. The sets are elaborate, with stonework and palm trees and draperies. There seem to be dozens of dress extras, courtiers at Salome's dance and soldiers.
The Clemenceau Affair (Italian: Il processo Clémenceau) is a 1917 silent Italian adventure film directed by Alfredo De Antoni. The film features the first onscreen performance from Vittorio De Sica.
Hand-tinted Italian verison of the Shakespeare Classic King Lear.
94-year-old Eleanor Morgenstein tries to rebuild her life after the death of her best friend. As a result, she moves back to New York City after living in Florida for decades.
A jazz musician seeks refuge from a lynch mob on a remote island, where he meets a hostile game warden and the young object of his attentions.