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Yunpeng and his servant stay at a country inn one dark evening to escape potential robbers and ghosts. But Yunpeng chances into something far more dangerous! He accidentally happens upon the comely Anu naked in bed, and to make up for his rudeness he has to marry her. Because of her beauty, the request is not too difficult to fulfill...until she is introduced to his aunts and uncles, who notice her ghastly green glow and deduce that she's a spirit from the netherworld. But there's something even darker about her appearance, and it may be revenge on his in-laws.
Snow Maid spends years practicing kung fu under the guidance of Ugly Maid in the mountains. All she has on her mind in these years is to avenge her mother’s death. Nevertheless, after she bids farewell to her master and leaves the mountains, she unexpectedly falls in love with her enemy’s son. As they both conceal their true identities and misunderstanding keeps accumulating, how will this romance end?
A young couple desperately try to keep their love alive, while living in a haunted house.
Brilliant Taiwan wuxia film Black Invitation directed by Chou Hsu Chiang. Living large in the Fuhu Shan region, Qiu San (Ma Ji) and his ruthless gang extort money from the local people by sending out black invitations listing how much the gang would like to "borrow". Those who hand over the money even a little late experience the gang's violent wrath. The Wan family is thrown into danger when...
A young innocent woman is raped by a gang of five men. Years later the young woman has matured into a sophisticated lady and singer. The five guys have gone their separate ways, however one by one, she finds them and sets about her revenge.
Directed by some of most well known Chinese-language directors of the time, the portmanteau film Four Moods was an attempt to alleviate Li Han-hsiang’s financial troubles during the late 1960s. Arguably one of his best works, King Hu’s short Anger is an adaptation of the famous Peking opera San Cha Kou; set to opera instrumentation and stylishly shot, the film deftly captures the tense showdown between political schemers, avengers and vagabonds inside an inn. Li Han-hsiang’s Happiness, inspired by the Strange Tales of Liaozhai, tells a tale of reprieve for a kind-hearted ghost, while Pai Ching-Jui’s Joy and Lee Hsing’s Sadness both explore the fateful encounters between mortal men and ghostly women.