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Through reclaimed, remixed, and reinterpreted footage from the Fast & Furious franchise, this video piece explores the on and off-screen relationship between Vin Diesel and Paul Walker, who passed away in a car accident on November 30, 2013. Across six panels, we follow the two men and their fictional counterparts as they race and rescue one another over and over again on a last ride that, thanks to cinema, can extend into infinity. Vin sings a Rihanna ballad to his now fallen friend, who exists within movies but is no longer with us in reality.
One cold winter of many tales...
One part home video seance, one part 3D musical, Angel of Death 3D is an attempt, by way of Jackass and the spirit of Evel Knievel, to reflect on American adolescence and the pubescent body in the 21st century. (Note: this film can be viewed with anaglyph 3D glasses but such glasses are not required to view it.
On a late-summer Sunday in 2011, a female director gathers a team of filmmakers, writers, musicians, artists, critics, and friends in an apartment to recreate a scene from Michael Curtiz's Depression-era drama The Cabin in the Cotton. Over plates of pasta and glasses of red wine, a round robin of non-professional actors take turns performing the same scene, again and again, In different permutations. With a freedom Influenced by pre--Code Hollywood, cameras, phones, and laptops are scattered around & set at almost every possible angle, documenting the action both in front of and behind the camera as it unfolds, from rehearsals to equipment adjustments to the banter between takes. An intimate. playful, and spontaneous look Into the collaborative cinematic process emerges. a snapshot of the filmmaker's perennial struggle to capture fleeting moments before the day (and light) slip away.
Video by Gina Telaroli.
Interview with the director of "Traveling Light" (2011) about her work as a filmmaker, critic, and programmer.
Hi I'm Extra Ultra Super Gal and today I'm helping my friend Jane with issues of period overflow. Come meet my friends!
A diary-cum-thriller-cum comedy-cum-horror film shot on an iPhone (RIP BlackBerry!) for zero dollars with friends, IN SEARCH OF GLADYS GLOVER was born in the darkness of winter in a post-pandemic 2022 after a fateful 35mm screening of George Cukor’s NYC classic IT SHOULD HAPPEN TO YOU (1954). Indebted to the spirits of Larry Cohen, Anne Charlotte Robertson, and New York City herself, IN SEARCH OF GLADYS GLOVER is a time-shifting journey about the disorienting feeling of being in the city the past few years. It’s a movie for everyone who wakes up each day and continues to put one foot in front of other—laughing often, crying often, watching as many beautiful films and sports games as possible, aimlessly walking the city streets alone, making art, hanging with good friends—but ultimately doesn’t understand what the fuck is going on anymore.
A detective tries to track down a masked killer who reappears every Halloween to wreak bloody havoc.
In Los Angeles, on Halloween night, a hitman tries to transport a corpse in plain sight, but people he stumbles upon on the street, believing that his sophisticated appearance is a magnificent disguise, constantly stand in his way to congratulate him.