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At the beginning of the 60s in Athens, Nikos and Takis, two young poets, lead the life of bohemian artists of older times. At their heyday, all of a sudden, they withdraw, and mysterious rumors are spread about them.
Inspired by Michael Bay's "Transformers". Grim Luke is a man now. He likes to transform wearing ladies clothes. He left Hollywood and lives with chickens, pigs, and goats in the suburbs.
Adaptation of a short story by Constantine Cavafy. A young man dreams of becoming a writer but misses his chance because he lacks the courage to search for a treasure...
A man disguised as a pin-up girl, alone in a room, satirizes the sex symbol of the pussycat. He poses like Marilyn Monroe, he licks his lips like Mae West and Hedy Lamarr, he masturbates. The effect of clichés of "manufactured femininity" on the masses is laughable, but it also makes you think.
Close-ups and medium fixed camera shots of a man dressed in Liza Minelli’ clothes, who mimes to a recording of the music hall song “Life is a Cabaret”. In the soundtrack, the iconical reading of a text exposing the ideological clichés of a family soap opera in a state of crisis. “My little boy, alas, is gay…”.
The industrial shares that Argyris Zomas bought lose their value, leading him to financial disaster. Desperate to feed his family, he will be appointed as an undertaker.
The series evolves during a laid-back summer at a camping in Peloponesse, Greece. Takis is an entrepreneur who sets up and manages a campsite on a picturesque coast of the Peloponesse. He staffs the campsite with locals, including his cousin Mitsos who is a horse breeder and works as the riding instructor of the campsite. The series details the short-lived relations and interactions between campsite staff and guests, and especially the summer love of Mitsos with Samantha–an English tourist.
Five very close friends decide to move to Athens as soon as they finish high-school. But when two of them fall in love, their trip takes an unpredictable turn.
Martha is unhappy with her life as it is at the moment, and among other issues, she has decided to give up her writing career. Along with that decision comes a need to get away from her husband and from her psychiatrist, with whom she has had more than just a doctor-patient relationship. As Martha travels through a deserted city landscape in a storm, the external world reflects something of her inner turmoil. Flashbacks are interspersed throughout the film to enhance the suspense of Martha's inner and outer journey.