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An avant-garde omnibus that features works by off-the-wall artists in many different disciplines.
Shot in high-definition video using rear-screen process plates from classic Warner Bros. films noirs. A young man (in color) searches for his past through black-and-white scenes from "The Big Sleep," "Mildred Pierce," and "Strangers on a Train."
A film scrapbook, images, phrases from our past, hiding their meanings behind veils. Let's lift those veils, one by one, to find how images, at one time seeming innocent, have revealed, after decades, to have homosexual overtones.
In this revisionist documentary, actor Eric Farr re-creates the character of Rock Hudson in order to take a look back at his films. It compares the actor's screen (and public) image with his real life and shows certain scenes, lines and situations in his films to insinuate that Hudson may have been gay.
Mark Rappaport's off center soap opera parody concerning several characters including a barber, his wife, and a pair of incestuous twins.
One of Mark Rappaport's later narratives (which won the Gold Hugo for Best First Feature at the Chicago International Film Festival in 1979), Impostors is an off-kilter comedy/mystery focused on two magicians trying to find Egyptian jewels, their promiscuous assistant, and a man who loves the assistant.
Nine Manhattanites receive a chain letter. Depending on their decision to either pass the letter on or to break the chain, the various characters can encounter romance, fulfillment -- and sudden death.
An experimental drama that spins the tale of a woman, her sister, and the man who completes the triangle. Told through such fertile sources as grand opera, classical painting, and Victorian melodrama.
A video essay where the author presumes motivations and insights in a fictionalized biography regarding Debra Paget, a contract player for 20th-Century Fox whom they groomed and coached for stardom.
After a much-publicized but brief stint in Hollywood, Jean Seberg was selected by Jean-Luc Godard to star in BREATHLESS. It was to become the legendary actress’s best-remembered role. This 2007 video essay by Mark Rappaport, director of the 1995 film FROM THE JOURNALS OF JEAN SEBERG, reveals the true story behind her iconic face.