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Join filmmaking duo Chris Hegedus and Nick Doob as their cameras follow Franken to book signings, campaign rallies and the launch of Air America Radio, documenting his transformation from irreverent funnyman to political pundit.
On May 24, 2000, the historic Ryman Auditorium was booked to offer Nashvillians an evening of sublime beauty. Label executives and soundtrack producers so loved the music of O Brother, Where Art Thou? that they brought it to life as a benefit concert for the Country Music Hall of Fame. Filmmakers Joel and Ethan Coen loved it so much that they hired famed documentary filmmaker D.A. Pennebaker to record the show for posterity. The concert that unfolded that night was one of the greatest musical moments in the annals of Music City. Performers: John Hartford, Alison Krauss, Emmylou Harris, Gillian Welch, Chris Thomas King, The Cox Family, Fairfield Four, Union Station, Colin Linden, The Nashville Bluegrass Band, The Peasall Sisters, Ralph Stanley, David Rawlings, The Whites.
Dr. James Graham, a physician in a struggling Oklahoma town, fights to save its bankrupt hospital.
America's obesity epidemic is seen from the perspective of children in this three-film portion of HBO's multimedia project.
Emmy-winning actor-comedian Robert Wuhl assumes the role of college professor in this hilarious history lesson conducted in front of an audience of actual New York City college students. Four segments explore the lesser-known aspects of America's storied past that everybody thought they already knew -- including the truth about Paul Revere, the hypocrisy of several founding fathers and the origin of many "modern" ideas.
This is the story of a year in the life of one mother whose daily struggles illuminate the challenges faced by more than 42 million American women and the 28 million children who depend on them.
Follows a Mississippi family's attempts to deal with an increasingly violent and erratic child.
A collection of performances by street musicians across the country, from New York to San Francisco, New Orleans to Chicago, the film presents 19 musicians in seven cities, and was one of Doob's first feature-length films. Among the singers, guitarists, drummers, dancers, and other artists, Doob includes street performance legends such as Brother Blue, Gene Palma, Bongo Joe, the Automatic Human Jukebox, and bluesman Jimmy Davis. The film captures a cross-section of Americans filled with raw talent, showmanship, and hustle, and presents a time capsule of the fashion, architecture, and culture of the 1970s. (Yale Film Archive)
Prior to STREET MUSIC, Doob made this 27-minute documentary, which follows his Yale classmate David Sewall, a violinist and singer, as he performs traditional and original songs on the streets and in the pubs, parks, and markets of London. In color and in black and white, Sewall's unique style and good humor transfix audiences of curious school children, West End theater-goers, and passersby on the sidewalk. His energetic performance of then-current hit "Young Girl" for a group of Covent Garden flower sellers is a particular highlight, and the film closes with a moving rendition of “Danny Boy” that prompts pub-goers to join Sewall in song.
Doob’s first longer film begins with a shot of the sun setting over the Hudson River in New York City, and goes on to examine the nighttime street life found in the block of 42nd Street between Seventh and Eighth Avenues. As Doob describes it, “That block was fairly notorious at that time, with pornographic bookstores and theaters, peep-shows, and prostitution. It was also a kind of magnet for exotic personalities, and a visually interesting location.” The film showed at many film festivals, won a prize at the West German Short Film Festival in Oberhausen, and was well reviewed in the New York Times. After making this film, and after the experience of taking Murray Lerner’s filmmaking class at Yale, Doob worked as Lerner’s cinematographer on a number of films, including his 1979 Academy Award-winning documentary FROM MAO TO MOZART. (Yale Film Archive)