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Sometimes we find ourselves walking, talking or simply looking at things. That is what the protagonists of this film do. However, inside this mystery of life, we don’t know who they are or what they do. Teddy Williams builds yet again a dense and fantasmatic universe where breezes rhyme with vacancies and to the verb to be has its full double meaning. (M. V.)
No es (It isn’t) is a cumulative poem by Mariano Blatt, whose constant writing process extends over a lifetime. The text of the poem, to which verses are added over days, months and years, can cover anything: images, people, memories, landscapes, phrases, ideas, etc. Having that list of “what seems to be but isn’t” ringing in his head, Eduardo Williams’ film Parsi observes in a perpetual movement the spaces and people to create another poem that is caressed, crashes and spins next to No es.
Searching for a seed, a young man emerges from the underground where he hangs out with his friends. They all embark on a long digestive trip.
For the 30th anniversaire of FIDMarseille about thirty directors have done us the honor of offering us some very beautiful short films.
The accident leads a group of young boys from the high roofs of their neighborhood, passing through its destruction, to the deepest of the earth.
Buenos Aires. Exe, 25 years old, has just lost his job and is not looking for another one. His neighbors and friends seem as odd to him as they always do. Online, he meets Alf, a boy from Mozambique who is also bored with his job and who is about to follow Archie, another boy who has run away into the jungle. Through the dense vegetation of the forest, Archie tracks ants back to their nest. One of them wanders off course and comes across Canh, a Filipino, sitting on top of a giant heap of earth and who is about to go back to his strange, beautiful home town, where he too has a miserable job.
Different groups of people wander in a rainy, windy, dark world. They spend time together, trying to get away from their depressing jobs, meandering constantly towards a disturbing surreal queer fantasy.
In Eduardo Williams’s video, scales are flipped and imperceptible movements are unveiled. Images from a camera passing through a digestive system and gazes into the far distance sustain each other with the tension of celestial bodies.
It’s Friday night in Asunción and the temperature is 40ºC. Víctor, a 17-year-old wheelbarrow-boy, dreams of becoming famous and covets a cell phone in Mercado 4. He is offered the chance to deliver seven boxes with unknown contents in exchange for $100. This sounds like an easy job but it soon gets complicated. Something in the boxes is highly coveted. Víctor and his persecutors find themselves caught up in a crime they know nothing about.
With her husband away at work, and her son at school, Laura dreams of a home-renovation project to supplant her restless days. Elliott, her irresistibly hot private contractor, soon fulfills her more forbidden dreams.