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Young female fighter pilots arrive to the frontline. They have different stories and different fates. They are getting older, falling in love and lose their closest ones as well as take their place in the world of men. The air has become their home. However, at war no one knows whose fate is to live and who is doomed to die.
Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.
In 1961, a Soviet medical officer is conflicted about his position overseeing the health of future cosmonauts.
David, a university professor, takes to social media to criticize his city’s administration. But instead of the mayor’s dodgy dealings being investigated, David is himself accused of embezzlement and placed under house arrest. Despite the overbearing surveillance, double-crossing acquaintances, and growing media interest, David remains defiant and will not apologise. With the court case drawing ever nearer, does David have any hope of winning this battle against Goliath?
This film is a very short story about a former rescue worker returning from Tokyo – a man who is quite successful in his everyday life, and who, after hearing about another earthquake in Japan, dropped everything and went there to help. He is flying back home in an almost empty plane. Indeed, many regular flights have been canceled, and the ones that are still operated do not sell out. He is flying back with a very elderly Japanese man he had just saved – the man is now all alone in the world, his family had died. And the two men somehow clicked. Perhaps because our main character is also lonely. Also flying with them on the plane are those who are no longer here.Those who did not survive the disaster. Together with the characters, their past moves through space – their memories, their world. The world that is no less, but perhaps even more important for them than the reality.
A story about the creative biography of Alexei German Sr. through the prism of his latest film - It's Hard to Be a God. Many shots from the shooting are published for the first time. Herman did not belong to any school or direction of cinema. Working on his films, he turned to the images of Brueghel and Bosch. Herman's hyperreality is saturated with details so that the viewer is cramped there. His method required such painstaking work that he made only five films in his life - and the last one did not finish. What was this method?
Garpastum is a Latin word meaning ball game. Set in 1914 in St. Petersburg, the brothers Andrey and Nikolai are passionate about the matches they play on the streets. They hatch a scheme to buy a playing field. But World War I has already begun and soon their lives and dreams will be shattered.
A fat middle-aged man in German officer's uniform gets off a train somewhere in Russia in winter. He is a doctor who has just been called up we learn eventually. This is the end of the line- the Germans are about to retreat. He goes to a hospital which is being evacuated and is thrown out. Kicked out he wanders with another conscript- a failed actor turned postman. The postman is deafened by a shell explosion. They meet their Russian equivalents, others as bad at killing as they are, while other Russians and Germans kill one another around them.
Russia 2017. The world could be on the verge of a great war. People are anxious that things could fall apart. Evolving around an unfinished building, a diverse group of outsiders struggle to find their place in this rapidly changing society, making up the mosaic of existence that is life itself…
Five short love stories, which become a statement of the directors about love. A shoemaker, a reporter, a pavement hooker-in, a psychiatric patient and a young man released from prison are the main characters of the film, heroes in a time of no heroes. All of them have the important qualities of being openhearted and not afraid of loving.