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Clara travels to Buenos Aires to meet an old friend, but when she arrives in the city, there are no traces of her: just a letter, two friends with a pirate radio and a mystery around the sidereal space.
Microorganisms float against a desert landscape, the lights from cellphone towers blink like fireflies, and a mysterious dialogue between two minds adjusting to a new beginning. In Sebastián Schjaer’s Like an Outburst, animals, humans, and machines seek a tenuous coexistence and different ways of seeing and living in the world.
After several years of absence, a foreigner (voiceover) returns to Buenos Aires in search of a mysterious man named Shuster, who disappeared years ago without a trace. However, he recognizes almost nothing about the city where he once lived.
Julia and Diego spend a weekend taking care of Diego’s nephew, in a house far from the city. Everything goes on normally until Julia’s visit to the hospital changes completely their relation.
Five juvenile delinquents break out of jail and attempt to make their way to a house in the Mendoza foothills of Argentina.
A young actress directs a casting for a film about the flood in Santa Fe. Between the voices of people, current, past, and her own experience of the landscape, questions begin to arise.
In 1952, Argentina's beloved First Lady, Eva Perón, died of cancer at the age of thirty-three. A renowned embalmer was commissioned by the grieving Juan Perón to preserve her body for display, and Argentines flocked to be near "Evita". Three years later, when his government was overthrown by a military coup, Perón fled the country before he could make arrangements for the transportation of his wife's body. The military junta now in control kidnapped the corpse; so afraid were they of Eva's symbolic power that they even made it illegal to utter her name.
South America, 1960. A lonely and grumpy Holocaust survivor convinces himself that his new neighbor is none other than Adolf Hitler. Not being taken seriously, he starts an independent investigation to prove his claim, but when the evidence still appears to be inconclusive, Polsky is forced to engage in a relationship with the enemy in order to obtain irrefutable proof.