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Camila is a Portuguese therapist who works at Rio de Janeiro State University, where she attends Glória, the university's elevator operator. Throughout the sessions, Camila faces a very violent reality, since Glória was raped by her own father as a child and her brother Jonas is a dangerous bandit that is in prison. Increasingly frightened by the reports she hears, she feels threatened at the same time that Glória sees her as essential in her life.
Stela, a young Brazilian actress, decides to make a work on the letters exchanged between Latin American plastic artists in the 70s and 80s. She travels to Cuba, Mexico, Argentina and Chile looking for her works and testimonies about the reality they lived during the dictatorships that most of these countries faced at the time. In the midst of the investigation, Stela discovers the existence of Ana, a young Brazilian artist who was part of this world, but disappeared. Ana went from southern Brazil, from a small town in the interior to Buenos Aires. Obsessed by the character, Stela decides to find her and find out what happened to her.
Fantasies and clichés about Brazil and Brazilians as reinforced by international films, even those actually shot in Brazil. This documentary features interviews with non-Brazilian directors, writers and stars who have been involved in some of those films.
Collective film with five segments around the works and life of brazilian writer Oswald de Andrade.
Brazil from the perspective of school pupils aged 14 to 19. Combining a documentary with a fictional approach, Hora do recreio addresses topics including violence, racism and drug dealing.
Free adaptation of Romeo and Juliet translated to the harsh life in Favela da Maré, one of largest and most violent slums in Rio de Janeiro. Living in a slum divided between two rival gangs of drug traffickers, Analídia is the daughter of one of the gangs' leaders and Jonathan is a childhood friend of the other gang leader. Both study in a dance group situated exactly in the middle of the two territories, looking for solace in art.
Argentine filmmaker Andrés Habegger embarks on a deeply personal journey in this documentary, seeking to recover memories and information about his father, Norberto Habegger, a journalist and Montonero activist who disappeared in Brazil in 1978 during a joint operation between the Argentine and Brazilian military. Traveling to places that were part of his life and revisiting old photos and his childhood diaries, the director fills in the gaps in a family history that was interrupted.
Vera, imprisoned at a military fortress during the dictatorship, 1969, get to know a soldier, Armando, who, in the face of torture, decides to take messages from Vera to his family and establishes an affective relationship with D. Maria, Vera’s mother. Despite the horrors of the time, the film works on this possibility of a dialogue between two lonely and lost human beings: a high-middle-class lady and a young southerner of rural origin. Today, Vera, aged 70, is a professor at the university, and debates with her students about politics, forgiveness and Hannah Arendt.
A group of friends, who resisted the military dictatorship, and their children will face the conflict between the daily life of today and the past when one of them is dying.
Diogo is a cartographer and artist who is encharged to set the new frontiers of Portuguese Colonies in South America. When he reaches the center of the continent, finds apparently nothing but wilderness and ‘uncivilized’ natives with strange ways of living. But Captain Pedro, the rude scout who guides him through the jungle, involves Diogo in an involuntary act of violence which will tie him in an unusual way to that far away country. At the same time, the Portuguese colonists are trying to make peace with Guaicuru Indians (one of the few natives with horse-riding abilities). But peace doesn’t ever have a low price.