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In this documentary, Andrés Di Tella and Dario Schvarsztein discussed sensitively and accurately the motivations and creative processes of three Mexican contemporary artists of great global impact: Pedro Reyes, Carlos Amorales and Minerva Cuevas.
Over several days and nights, an actor and an actress read the correspondence between Torcuato and Kamala, the film director's parents, he from Argentina, and she from India. The letters, encompassing the decades from the 50s to the 70s, refer to love and idealism, record world travels, talk about socialism and psychoanalysis, about pain and broken dreams. Their reading reveals a relationship between the actors, with similarities and differences. Meanwhile, with his own daughter, the director sets about solving the puzzle of the family memory, an intimate twentieth-century tale.
This is the cinematographic diary of an extended trip across the Pampas, on the trail of Guillermo Enrique Hudson, aka William Henry Hudson. Hudson is an enigmatic figure, full of paradoxes: he was an Argentine gaucho who became an English writer. He fought in the army against the “savages” but also defended them. He wrote obsessively about his native land, but never returned. In the twists and turns of the road, emerges a mix of documentary speculation, personal memory… and dreams.
The history of Argentine Montoneros guerrilla group , since its founding in the early seventies, until its dissolution under the military dictatorship of 1976 .
Short pieces including images taken with a mobile phone, personal photos and found material. Everyday incidents, childhood memories, portraits of friends, travel chronicles, readings and songs: diaries.
A personal essay about television and memory. A round trip between history and autobiography: from a personal memory of the first television to the earliest memories of television in Argentina.
An Andrés Di Tella film about Ricardo Piglia's diaries.
The omnibus feature SUCESOS INTERVENIDOS consists of shorts by a who’s who of Argentine documentary and experimental-film giants, including Edgardo Cozarinsky and Gustavo Fontán but also Claudio Caldini, Andrés Di Tella and Gabriela Golder. Each one of them created a piece of a few minutes in length using archival footage from SUCESOS ARGENTINOS (“Argentine Events”), a popular newsreel series from 1938 to 1972 whose episodes have recently begun to be digitized by Buenos Aires’s “Pablo C. Ducrós Hicken” Film Museum.