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A story of authoritarianism, fears, frustrations and love, which revolves around a simple can of paint that unleashes many conflicts, plunging members of a family from a humble neighborhood of Buenos Aires into permanent disagreements.
Tristán plays a naive young man who dreams of marrying his girlfriend. For this he works as a home nurse during the day and, at night, as a waiter in a hotel, where he meets a charming model.
Silvia is incarcerated in a corrupt women prison and forced to participate in drug distribution. When she refuses she is punished and her sister murdered. She will try to get free and get her revenge.
A story that recalls the great era of Argentine cinema of the 40s and 50s and the famous San Miguel Studios, where great figures of national and foreign cinema worked. The sad episode of the demolition of studios is passing in front of the memory of a film director, who with great nostalgia relives moments that are impossible to forget.
Buenos Aires, mid-1980s. Ledesma (Darío Grandinetti) is the driver and personal guard of "El Coronel" (Rodolfo Bebán), a mafioso with many contacts in power. He will be attracted to the beautiful woman of his boss (Katja Alemann).
In 1965, a man named Matías is taken to a psychiatric hospital, after being found at the streets, "in the company of homosexuals and in a state of intoxication by alcohol and drugs". His documentation says he's 41 years old and born in Poland. He says his mother was an aristocrat. His arrival will have a profound impact on the institution and, especially, on one of the doctors.
Anthology series, in which every episode introduces fictionalized versions of real cases about women who, for different reasons, ended up committing murder.