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Danger Man is a British television series which was broadcast between 1960 and 1962, and again between 1964 and 1968. The series featured Patrick McGoohan as secret agent John Drake. Ralph Smart created the programme and wrote many of the scripts. Danger Man was financed by Lew Grade's ITC Entertainment.
Simon Templar is The Saint, a handsome, sophisticated, debonair, modern-day Robin Hood who recovers ill-gotten wealth and redistributes it to those in need.
The lives of Bodie and Doyle, top agents for Britain's CI5 (Criminal Intelligence 5), and their controller, George Cowley. The mandate of CI5 was to fight terrorism and similar high-profile crimes. Cowley, a hard ex-MI5 operative, hand-picked each of his men. Bodie is a cynical ex-SAS paratrooper and mercenary whose nature ran to controlled violence, while his partner, Doyle, comes to CI5 from the regular police force, and is more of an open minded liberal. Their relationship is often contentious, but they are the top men in their field, and the ones to whom Cowley always assigned to the toughest cases.
After resigning, a secret agent is abducted and taken to what looks like an idyllic village, but is really a bizarre Kafkaesque prison. His warders demand information. He gives them nothing, but only tries to escape.
Accused of treason, a former U.S. intelligence officer based in London tries to clear his name, taking on freelance jobs around Europe as he searches for answers.
This series strips away the elaborate medieval view of Camelot, and presents Arthur as the chief of a small Celt tribe in Dark-Ages Britain, a century or two after the withdrawal of Rome. Arthur struggles to weave the scattered tribes of Celts, Jutes, etc. into a union that can effectively oppose the Saxon invaders who are arriving in Britain in growing numbers. He is aided by his adoptive father, Llud, and his foster brother, Kai, who is himself a Saxon foundling.
Angered that her sister Celia has stolen her fiance, Dell Faring kills her and allows Celia's husband David, knocked out in an argument with Celia, to take the blame and end up on death row. Later Dell, finding out that David's young daughter Susan was witness to the crime and is undergoing psychiatric treatment, plans to eliminate her before her memory returns.
A short film about how builders help contribute to the war effort.
Encore is a 1951 anthology film composed of adaptations of three short stories by W. Somerset Maugham: "The Ant and the Grasshopper", directed by Pat Jackson and adapted by T. E. B. Clarke; "Winter Cruise", helmed by Anthony Pelissier, screenplay by Arthur Macrae; "Gigolo and Gigolette", directed by Harold French, written by Eric Ambler. It is the last film in a Maugham trilogy, preceded by Quartet and Trio.
Focuses on the work of the Air Transport Auxiliary or ATA. By 1941, literally hundreds of RAF fighters and bombers needed to be flown each day between aircraft factories, maintenance depots and RAF aerodromes. This vital task was carried out by the men and women of the ATA, a civilian air force operating from their own pools and stations all over Britain. Essentially a dramatised account of typical ATA deliveries, the film features coverage of the ATA's own fleet of Ansons, as well as being notable for some excellent Spitfire film and very rare footage of the Whitley bomber, including take off and in-cockpit sequences.